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It's not a river, it's this river.. A hot, motionless afternoon. Enero and El Negro are fishing with Tilo, their dead friend's teenage son. After hours of struggling with a hooked stingray, Enero aims his revolver into the water and shoots it. They hang the ray's enormous corpse from a tree at their campsite and let it go to rot, drawing the attention of some local islanders and igniting a long-simmering fury toward outsiders and their carelessness.

It's only the two sisters - the teenage nieces of one of the locals, Aguirre - with their hair black as cowbird feathers and giving off the scent of green grass, who are curious about the trio and invite them to a dance. But the girls are not quite as they seem. As night approaches and tensions rise, Enero and El Negro return to the charged memories of their friend who years ago drowned in this same river.



About the Author

Selva Almada

Selva Almada (Entre Ríos, Argentina, 1973) is considered one of the most powerful voices of contemporary Argentinian and Latin American literature and one of the most influential feminist intellectuals of the region. Including her début , she has published three novels, a book of short stories, a book of journalistic fiction () and a kind of film diary (written in the set of Lucrecia Martel's most recent film Zama, based on Antonio di Benedetto's novel) . She has been finalist of the Rodolfo Walsh Award and of the Tigre Juan Award (both in Spain) . Her work has been translated into French, Italian, Portuguese, German, Dutch, Swedish and Turkish. Her most recent novel, ) has just been published in Argentina (2020) . is her third book to appear in English and is being published in collaboration with Graywolf Press, US.



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