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From the Academy Award-nominated screenwriter of The Theory of Everything and Darkest Hour comes the fascinating and revealing tale of an unprecedented transfer of power, and of two very different men - who both happen to live in the Vatican. SOON TO BE A MAJOR MOTION PICTURE STARRING ANTHONY HOPKINS AND JONATHAN PRYCE. In February 2013, the arch-conservative Pope Benedict XVI made a startling announcement: he would resign, making him the first pope to willingly vacate his office in over 700 years. Reeling from the news, the College of Cardinals rushed to Rome to congregate in the Sistine Chapel to pick his successor. Their unlikely choice? Francis, the first non-European pope in 1,200 years, a one time tango club bouncer, a passionate soccer fan, a man with the common touch.Why did Benedict walk away at the height of power, knowing his successor might be someone whose views might undo his legacy? How did Francis - who used to ride the bus to work back in his native Buenos Aires - adjust to life as leader to a billion followers? If, as the Church teaches, the pope is infallible, how can two living popes who disagree on almost everything both be right? Having immersed himself in these men's lives to write the screenplay for the upcoming motion picture The Pope, Anthony McCarten masterfully weaves their stories into one gripping narrative. From Benedict and Francis's formative experiences in war-torn Germany and Argentina to the sexual abuse scandal that continues to rock the Church to its foundations to the intrigue and the occasional comedy of life in the Vatican, The Pope glitters with the darker and the lighter details of one of the world's most opaque but significant institutions.
About the Author
Anthony McCarten (1961- ) is a fiction writer, playwright, and poet. Anthony McCarten's debut novel, Spinners, won international acclaim, and was followed by The English Harem, award winning Death of a Superhero, and Show of Hands, all four books being translated into fourteen languages.McCarten has also written twelve stage plays, including the worldwide success Ladies' Night, which won France's Molière Prize, the Meilleure Pièce Comique, in 2001, and Via Satellite, which he adapted into a feature film and directed, premiered at the 1999 Cannes Film Festival. Also a film-maker, he has thrice adapted his own plays or novels into feature films, most recently Death Of A Superhero (2011) which premiered at the Toronto International Film Festival. Anthony divides his time between London and Los Angeles.
