About this item
A timely and urgent inquiry by one of global literature's leading lights. In this concisely argued and illuminating book, the PEN/Faulkner Award-winning author Rabih Alameddine takes the subject of politics and art head-on, questioning the very premise of dividing these two pillars of culture into an either/or proposition. He reveals how a political dimension enlarges a work of art rather than making it less beautiful or reducing it to a polemic, as we are so often and carelessly taught. But he also ponders what makes art political to begin with: how essential is the artist's conscious political intent, and what does the reader or viewer contribute to the work's political capability or significance? In exploring these questions, Alameddine engages intensely with his role as an immigrant and a gay author writing inside a globally dominant, often oblivious culture, and invokes the work of numerous writers, from Tayeb Salih and Aleksandar Hemon to Teju Cole and Salman Rushdie, who also struggle to be heard as something more than an "other.
About the Author
Rabih Alameddine was born in Amman, Jordan to Lebanese parents, and grew up in Kuwait and Lebanon. He was educated in England and America, and has an engineering degree from UCLA and an MBA from the University of San Francisco. He is also the author of the novel Koolaids: Or The Art of War, the story collection, The Perv, and, most recently, I, the Divine: A Novel in First Chapters. His pieces have appeared in Zoetrope, The Evening Standard and Al-Hayat, among others. Mr. Alameddine, a painter as well as an author, has had solo gallery exhibitions in cities throughout the United States, Europe and the Middle East. He has lectured at numerous universities including M.I.T and the American University of Beirut in Lebanon. Mr. Alameddine was the recipient of a Guggenheim Foundation fellowship in 2002. He divides his time between San Francisco and Beirut.
