About this item
This groundbreaking study explores the visual representations of Black culture across the globe throughout the twentieth century and into the twenty-first.The African diaspora -- a direct result of the transatlantic slave trade and Western colonialism -- has generated a wide array of artistic achievements, from blues and reggae to the paintings of the pioneering American artist Henry Ossawa Tanner and the music videos of Solange. This study concentrates on how these works, often created during times of major social upheaval and transformation, use Black culture both as a subject and as context. From musings on "the souls of black folk" in late-nineteenth-century art to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped Black presence in modern and contemporary visual culture.
About the Author
Richard J. Powell, a recognized authority on African American art and culture (and a frequent lecturer and media commentator on this topic both in the United States and abroad) , has organized numerous art exhibitions, most notably: The Blues Aesthetic: Black Culture and Modernism (1989) ; Rhapsodies in Black: Art of the Harlem Renaissance (1997) ; To Conserve A Legacy: American Art at Historically Black Colleges and Universities (1999) ; Back to Black: Art, Cinema, and the Racial Imaginary (2005) ; and Archibald Motley: Jazz Age Modernist (2014) . Among the major museums where his curated exhibitions have been presented are the Phillips Academy's Addison Gallery of American Art, the Art Institute of Chicago, the Fine Arts Museums of San Francisco, the Los Angeles County Museum of Art, the New Orleans Museum of Art, London's Whitechapel Art Gallery, and the Whitney Museum of American Art. Along with teaching courses in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively on topics ranging from primitivism to postmodernism, including such titles as Homecoming: The Art and Life of William H. Johnson (1991) , Black Art: A Cultural History (1997 & 2002) , and Cutting a Figure: Fashioning Black Portraiture (2008) . From 2007 until 2010, Powell was Editor-in-Chief of The Art Bulletin, the world's leading English language journal in art history. In 2013 Powell received the Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History from the Smithsonian's Archives of American Art, and in 2016 was honored at the College Art Association's Annual Conference as the year's most Distinguished Scholar. His forthcoming book is Going There: Black Visual Satire (Yale University Press, Fall 2020) , which examines satirical cartoons, paintings, films, and videos by modern and contemporary African American artists.
