EDITORIAL REVIEWS
Metallica's 12th studio album, 72 Seasons, will arrive on April 14, 2023, on the band's own Blackened Recordings. Produced by Greg Fidelman with Hetfield & Ulrich and clocking in at over 77 minutes, the 12-track album is the band's first full-length collection of new material since 2016's Hardwired ... To Self-Destruct. Speaking on the concept of the album title, James said: "72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told 'who we are' by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is a reenactment or reaction to these childhood experiences.
Publisher: n/a
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810083961163
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Audio CD
Turn Off The News Build A Garden Explicit Lyrics
By Real, Lukas Nelson & Promise Of The
Co-produced by John Alagia and Lukas Nelson & Promise of the Real and recorded at Shangri-La in Malibu and The Village Studios in West L.A., Turn Off The News features the band's most mature and absorbing work of their career. Guest turns include background vocal and instrumental support from: Kesha, Margo Price, Sheryl Crow, Shooter Jennings, Lucius, Willie Nelson and Neil Young. On songs like the Wilburys inspired album opener, "Bad Case," the poignant and relevant title track, "Turn Off The News," the 60's infused R&B of "Save A Little Heartache," and the vulnerable balladry of "Mystery," Lukas brings his prodigious gifts to bear, as a songwriter, a singer, a guitarist and band leader - an artist at the peak of his powers, ready to seize the tremendous opportunity at hand.
Fantasy
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888072095182
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Audio CD
Above The Clouds
By Frey, Glenn
1. The Heat Is On2. Call On Me3. Part Of Me, Part Of You 4. You Belong To The City 5. Smuggler's Blues 6. Sexy Girl 7. The Allnighter 8. Soul Searchin' 9. Same Girl 10. The One You Love 11. Strange Weather 12. I've Got Mine 13. River Of Dreams 14. Love In The 21st Century 15. Lyin' Eyes / Take It Easy (Medley - Live at the National Stadium, Dublin, Ireland / 1992)
Geffen
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602567079316
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Audio CD
mainstream sellout Explicit Lyrics
By Kelly, Machine Gun
Publisher: n/a
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602438612000
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Explicit Lyrics
Alive
By Bowersox, Crystal
Crystal Bowersox and her superb band recorded her new album Alive live in a studio with a small audience, so the sound is crisp and clear but the vibe is alive. Most written or co-written by Bowersox, the songs cover a modest variety of stylistic ground, with solid if not spectacular songwriting blues and soul, folk-pop ( StayCation ) , folk-Americana ( Marlboro Man, Arlene ) but her gutsy-velvety vocals and smooth melodicism tie it all together. There s a little Ruthie Foster, a little Alison Krauss, a little Joan Osborne and of course Janis Joplin in the final and inevitable Me and Bobby McGee (titled here as just Bobby McGee ) , in which Bowersox pulls off the neat trick of doing Joplin s version without slavishly copying. However, there s more country and folk-pop here, and more slow tempos, than the first two tracks might lead you to expect. The Ride is a rock-soul-blues concoction, Sunshine Brighter a retro- 70s confection laced with harmonica and organ. But beginning with StayCation, which combines a sunny, dancing hook with quotes from Bob Marley and Steve Miller, the sound grows less bluesy, settling, with Broken Wing, into a string of Americana ballads. The sad simplicity of Let Me Walk Away, the best of the ballads, sounds like John Prine-style country-folk. I m reminded, conceptually anyway, of Bonnie Raitt s hit cover of Prine s Angel from Montgomery. But by the time Track 11, Dead Weight, arrives, I ve grown a little tired of the dominance of mid-to-slow-tempos. The arrangements do build excitement into each song Dead Weight in fact swells into a pounding 6/8 Ball and Chain storm but not always enough. And I find myself wishing she d cut loose vocally more, as she does in the thrilling penultimate track Until Then. Alive is a happy listen as a whole, and it sounds like it comes from the heart and the (collective) brain of a band whose members know how to listen to one another as well as their front woman. Unlike many of her fellow American Idol alums, Bowersox goes her own way. You were no mistake, you were meant to be, she sings in the catchy No Mistake I was wide awake when love delivered you to me. Wide awake for sure, she s a real artist, not a commercial construct, TV pedigree or no. She even wrote a song, Arlene, for an American Idol tour bus driver she got to know. What could be more real than that? Since then, it s been out here in the real world where you ll find her, singing real songs for real people with a real voice live and alive. --Blogcritics.orgCrystal Bowersox Alive Reviewed by: Lauren Rosier About seven years ago, singer/songwriter, Crystal Bowersox, was a the runner-up on season 9 of the hit reality show, American Idol. After a few record label changes, Bowersox signed with Shanachie Records in 2012. Now her latest release, Alive, is a collection of work recorded live. On The Ride, Bowersox introduces you to her bluesy, rootsy voice as well as her ability to take words, turn them into lyrics, and develop a story. She sings about a man who doesn t want a new wife who still can t find the last one and how she doesn t give a damn/what kind of saddle he s on/ cause you can t judge a man/by leather or chrome/I m going to ride along with him... Bowersox shows her musicianship on The Ride through her ability to blend genres of blues, folk, Americana, and roots and pair those influences with her songwriting. The lyricism of A Broken Wing is relatable to everyone going through trying times in life and it s songs like these that can provide comfort to those trying to find beauty in the burden and realizing that even on the darkest days/but right now/even though my heart is hurting/all is as it should be/and everything will be alright... It s almost like she strategically reveals her layers with each song. The tenderness and contemporary country vibe of He Calls Me Angel illustrates the human in all of us and how comforting it is to have that significant person in your life that you can always count on to be on your side. If there s any song on Alive that really gets at your heartstrings, it s No Mistake. Bowersox sings how can a man not call his son/on Christmas Eve/skip six birthdays in a row/you can t put a band-aid/on that bloody knee/well, I can still hear children laughing/from the playground/across the street/here s 1700 dollars/just take care of it... She sings to her son you were no mistake/you were meant to be here/I was wide awake/when love delivered you to me/everyday you save me/you re the greatest gift God ever gave me/you were no mistake. One of the tracks that stood out to me was Dead Weight. Since this record was recorded live, on this track she gives you sneak peek of what one of her live performances is like, and there s no way you can deny the artistry and musicianship of Bowersox after listening to this song. From front to back, Alive is a beautiful collection of songs that illustrate life as it is, and celebrates being alive. One of the most crucial aspects of being a musician is being able to emotionally connect with your audience. With Alive, Crystal Bowersox has achieved the epitome of what music is about, something that you can only find in artists that truly understand the power of music. Rating: Bad-Ass --ThatMusicMag.com
Publisher: n/a
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859720933903
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CD
Miracle Pill
By Dolls, Goo Goo
With over 30 years together as a band, over 12 million albums sold, and 14 number one and Top 10 hits at Hot AC -- Miracle Pill finds the band at the top of their game with a collection of songs that are complete with emotion, incredible melodies and sweeping guitars. The album observes and reflects on our current landscape of instant gratification and relief that everyone seems to be seeking.
Warner Bros.
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93624899686
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Audio CD
Depot Light
By Peter, Cooper
EDITORIAL REVIEWS
"This is not a tribute album. Its me - Carolina-raised, Nashville-residing, Grammy-losing Peter Cooper - singing the songs of Eric Taylor, a man whose notions of rhyme, melody, meter, and story shaped and changed the way I think and feel about music. Im not singing these songs in tribute. Im singing them because they are the songs I most wanted to sing. Some people, even some people in my troubadour tribe, havent heard them before. I hope those people dont read these notes. I hope they download this thing, or hear it on some streaming service, and assume that I wrote them. My hopes wont be realized, though. Nobody is going to think I wrote these songs. Hell, no one will think Kristofferson or Tom T. Hall or Chuck Berry or Billy Joe Shaver or Patty Griffin or John Prine or Todd Snider wrote them. Eric Taylor songs arent in competition with anyone elses. They are singular, not similar. They exist in their own world. Please listen. Eric Taylor isnt in show business. He makes music. And that music has been heard, loved, and recorded by Lyle, by Nanci Griffith, by Joan Baez, and by other greats. That speaks to his brilliance. Thomm Jutz, who co-produced this album and played the guitar parts, will back me up. Andrea Zonn, the singer-songwriter and member of James Taylors band, played stunningly emotional violin and viola. Then there was Pat McInerney, Justin Moses, Mark Fain, Lynn Williams, Lindsay Hayes, and Eric Brace. These are standouts. Stalwarts. Heavy players and singers, suited for these heaviest of songs. This is rare and wondrous stuff, through no fault of my own. Youre welcome to it. Please listen". - Peter Cooper
REVIEW
4½ stars (out of 5) By Donald Teplyske To some, Eric Taylor has been a Texas songwriting icon since the seventies. A contemporary of Ray Wylie Hubbard, admired by Guy Clark, and hero to Lyle Lovett, Taylor s sparse catalogue of recordings are cherished, coveted by those few who have encountered them. Peter Cooper has long been an admirer of Eric Taylor. He wrote a stark, insightful piece about Taylor in No Depression back in 2001, and wrote a song about him for MASTER SESSIONS, the album he and Eric Brace did with Lloyd Green and Mike Auldridge. For his latest recording, Cooper has elected to present a dozen of Taylor s songs. Given that Cooper is an amazing songwriter in his own right, this decision carries with it considerable weight: these are amongst the songs that gave Cooper direction, in his words, songs that shaped and changed the way I think and feel about music. Like Taylor, Cooper has a bit of a cult following. Cooper turns the guitar over to co-producer Thomm Jutz, and his contributions offer ideal framing to Cooper s vocal artistry; the bluesy effects of Carnival Jim & Jean have stayed with me through numerous listenings. Cooper has an ideal voice for these songs. He doesn t sound like Taylor, of course, and neither should he. Through a slate of recordings, Cooper has developed a voice and approach to Americana all his own. Vocally, Cooper might always remind us a little of Rodney Crowell, but he is equally individual. Smoother, perhaps. Cooper appreciates Taylors gift for language. Words in the hands of Taylor are never contrived as he constructs a lyric to tell a story. Interestingly, when Eric Taylor has chosen to cover songs by other writers, it has usually been Townes Van Zandt. When Peter Cooper chooses to cover others, it has as often as anyone been Eric Taylor. Well, Taylor and Tom T. Hall, which taken together pretty much gives you Townes Van Zandt. There is no little measure of pensiveness here, the pain and passion of the common (and decidedly uncommon) wanders of life, a combination of grit and honesty that should see us through many an evening. Not every situation depicted will endear listeners to the characters they are as flawed as reality, as blessedly unaware as the rest of us. But you will remember them: the panhandler ( Dollar Bill Hines ) , the lonesome carny hustler and his (perhaps) wiser partner ( Carnival Jim & Jean ) , the desperado whose train never came ( Charlie Ray McWhite ) , the convict who sees himself as Johnny Cash ( Prison Movie ) , and the hopelessly lost romantic ( Two Fires ) . Deadwood, recorded once by Nanci Griffith many a blue moon ago is likely this set s most familiar song. Less mysterious than when heard almost thirty years ago, it is no less stunning a set of observations. These are really great performances of memorable songs, most of which lots of folks haven t heard. Justin Moses (formerly of Kentucky Thunder) colors More Storms with mandolin trills that add dimension to an already incredible song. Depot Light is powerful, even if I get lost in its tale. The Great Divide, which may have been modeled off Stuff That Works, is just as clever if darker. DEPOT LIGHT: SONGS OF ERIC TAYLOR will appeal to Eric Taylor devotees whether they know Peter Cooper or not. Not surprisingly, it will be welcomed by fans of Peter Cooper who may never have encountered Eric Taylor. --The Lonesome Road Review
Publisher: n/a
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616892337041
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Audio CD
Feel The Real
By Soulchild, Musiq
Musiq's no nonsense conversational songwriting style and buttery vocals earned him a recording contract as he took on an illuminating, life-changing last name. Musiq Soulchild was born. Everything down to his meticulous throwback soul man image (his trademark apple jack cap and designer shades) screamed SUPERSTAR. Soon Musiq's name was being mentioned alongside modern day R&B royalty like Erykah Badu, R. Kelly, Usher, D'Angelo, Maxwell, and Jill Scott. But he wanted more. "Truthfully, the success I had out the gate was different than how people now make it out to be," Musiq recalls. "I didn't have a chance to revel in that amazing moment of having my first two albums go platinum. I was dealing with political issues, writers, producers, and managers.
72 Seasons
By Metallica,
EDITORIAL REVIEWS Metallica's 12th studio album, 72 Seasons, will arrive on April 14, 2023, on the band's own Blackened Recordings. Produced by Greg Fidelman with Hetfield & Ulrich and clocking in at over 77 minutes, the 12-track album is the band's first full-length collection of new material since 2016's Hardwired ... To Self-Destruct. Speaking on the concept of the album title, James said: "72 seasons. The first 18 years of our lives that form our true or false selves. The concept that we were told 'who we are' by our parents. A possible pigeonholing around what kind of personality we are. I think the most interesting part of this is the continued study of those core beliefs and how it affects our perception of the world today. Much of our adult experience is a reenactment or reaction to these childhood experiences.
Turn Off The News Build A Garden Explicit Lyrics
By Real, Lukas Nelson & Promise Of The
Co-produced by John Alagia and Lukas Nelson & Promise of the Real and recorded at Shangri-La in Malibu and The Village Studios in West L.A., Turn Off The News features the band's most mature and absorbing work of their career. Guest turns include background vocal and instrumental support from: Kesha, Margo Price, Sheryl Crow, Shooter Jennings, Lucius, Willie Nelson and Neil Young. On songs like the Wilburys inspired album opener, "Bad Case," the poignant and relevant title track, "Turn Off The News," the 60's infused R&B of "Save A Little Heartache," and the vulnerable balladry of "Mystery," Lukas brings his prodigious gifts to bear, as a songwriter, a singer, a guitarist and band leader - an artist at the peak of his powers, ready to seize the tremendous opportunity at hand.
Above The Clouds
By Frey, Glenn
1. The Heat Is On2. Call On Me3. Part Of Me, Part Of You 4. You Belong To The City 5. Smuggler's Blues 6. Sexy Girl 7. The Allnighter 8. Soul Searchin' 9. Same Girl 10. The One You Love 11. Strange Weather 12. I've Got Mine 13. River Of Dreams 14. Love In The 21st Century 15. Lyin' Eyes / Take It Easy (Medley - Live at the National Stadium, Dublin, Ireland / 1992)
mainstream sellout Explicit Lyrics
By Kelly, Machine Gun
Alive
By Bowersox, Crystal
Crystal Bowersox and her superb band recorded her new album Alive live in a studio with a small audience, so the sound is crisp and clear but the vibe is alive. Most written or co-written by Bowersox, the songs cover a modest variety of stylistic ground, with solid if not spectacular songwriting blues and soul, folk-pop ( StayCation ) , folk-Americana ( Marlboro Man, Arlene ) but her gutsy-velvety vocals and smooth melodicism tie it all together. There s a little Ruthie Foster, a little Alison Krauss, a little Joan Osborne and of course Janis Joplin in the final and inevitable Me and Bobby McGee (titled here as just Bobby McGee ) , in which Bowersox pulls off the neat trick of doing Joplin s version without slavishly copying. However, there s more country and folk-pop here, and more slow tempos, than the first two tracks might lead you to expect. The Ride is a rock-soul-blues concoction, Sunshine Brighter a retro- 70s confection laced with harmonica and organ. But beginning with StayCation, which combines a sunny, dancing hook with quotes from Bob Marley and Steve Miller, the sound grows less bluesy, settling, with Broken Wing, into a string of Americana ballads. The sad simplicity of Let Me Walk Away, the best of the ballads, sounds like John Prine-style country-folk. I m reminded, conceptually anyway, of Bonnie Raitt s hit cover of Prine s Angel from Montgomery. But by the time Track 11, Dead Weight, arrives, I ve grown a little tired of the dominance of mid-to-slow-tempos. The arrangements do build excitement into each song Dead Weight in fact swells into a pounding 6/8 Ball and Chain storm but not always enough. And I find myself wishing she d cut loose vocally more, as she does in the thrilling penultimate track Until Then. Alive is a happy listen as a whole, and it sounds like it comes from the heart and the (collective) brain of a band whose members know how to listen to one another as well as their front woman. Unlike many of her fellow American Idol alums, Bowersox goes her own way. You were no mistake, you were meant to be, she sings in the catchy No Mistake I was wide awake when love delivered you to me. Wide awake for sure, she s a real artist, not a commercial construct, TV pedigree or no. She even wrote a song, Arlene, for an American Idol tour bus driver she got to know. What could be more real than that? Since then, it s been out here in the real world where you ll find her, singing real songs for real people with a real voice live and alive. --Blogcritics.orgCrystal Bowersox Alive Reviewed by: Lauren Rosier About seven years ago, singer/songwriter, Crystal Bowersox, was a the runner-up on season 9 of the hit reality show, American Idol. After a few record label changes, Bowersox signed with Shanachie Records in 2012. Now her latest release, Alive, is a collection of work recorded live. On The Ride, Bowersox introduces you to her bluesy, rootsy voice as well as her ability to take words, turn them into lyrics, and develop a story. She sings about a man who doesn t want a new wife who still can t find the last one and how she doesn t give a damn/what kind of saddle he s on/ cause you can t judge a man/by leather or chrome/I m going to ride along with him... Bowersox shows her musicianship on The Ride through her ability to blend genres of blues, folk, Americana, and roots and pair those influences with her songwriting. The lyricism of A Broken Wing is relatable to everyone going through trying times in life and it s songs like these that can provide comfort to those trying to find beauty in the burden and realizing that even on the darkest days/but right now/even though my heart is hurting/all is as it should be/and everything will be alright... It s almost like she strategically reveals her layers with each song. The tenderness and contemporary country vibe of He Calls Me Angel illustrates the human in all of us and how comforting it is to have that significant person in your life that you can always count on to be on your side. If there s any song on Alive that really gets at your heartstrings, it s No Mistake. Bowersox sings how can a man not call his son/on Christmas Eve/skip six birthdays in a row/you can t put a band-aid/on that bloody knee/well, I can still hear children laughing/from the playground/across the street/here s 1700 dollars/just take care of it... She sings to her son you were no mistake/you were meant to be here/I was wide awake/when love delivered you to me/everyday you save me/you re the greatest gift God ever gave me/you were no mistake. One of the tracks that stood out to me was Dead Weight. Since this record was recorded live, on this track she gives you sneak peek of what one of her live performances is like, and there s no way you can deny the artistry and musicianship of Bowersox after listening to this song. From front to back, Alive is a beautiful collection of songs that illustrate life as it is, and celebrates being alive. One of the most crucial aspects of being a musician is being able to emotionally connect with your audience. With Alive, Crystal Bowersox has achieved the epitome of what music is about, something that you can only find in artists that truly understand the power of music. Rating: Bad-Ass --ThatMusicMag.com
Miracle Pill
By Dolls, Goo Goo
With over 30 years together as a band, over 12 million albums sold, and 14 number one and Top 10 hits at Hot AC -- Miracle Pill finds the band at the top of their game with a collection of songs that are complete with emotion, incredible melodies and sweeping guitars. The album observes and reflects on our current landscape of instant gratification and relief that everyone seems to be seeking.
Depot Light
By Peter, Cooper
EDITORIAL REVIEWS "This is not a tribute album. Its me - Carolina-raised, Nashville-residing, Grammy-losing Peter Cooper - singing the songs of Eric Taylor, a man whose notions of rhyme, melody, meter, and story shaped and changed the way I think and feel about music. Im not singing these songs in tribute. Im singing them because they are the songs I most wanted to sing. Some people, even some people in my troubadour tribe, havent heard them before. I hope those people dont read these notes. I hope they download this thing, or hear it on some streaming service, and assume that I wrote them. My hopes wont be realized, though. Nobody is going to think I wrote these songs. Hell, no one will think Kristofferson or Tom T. Hall or Chuck Berry or Billy Joe Shaver or Patty Griffin or John Prine or Todd Snider wrote them. Eric Taylor songs arent in competition with anyone elses. They are singular, not similar. They exist in their own world. Please listen. Eric Taylor isnt in show business. He makes music. And that music has been heard, loved, and recorded by Lyle, by Nanci Griffith, by Joan Baez, and by other greats. That speaks to his brilliance. Thomm Jutz, who co-produced this album and played the guitar parts, will back me up. Andrea Zonn, the singer-songwriter and member of James Taylors band, played stunningly emotional violin and viola. Then there was Pat McInerney, Justin Moses, Mark Fain, Lynn Williams, Lindsay Hayes, and Eric Brace. These are standouts. Stalwarts. Heavy players and singers, suited for these heaviest of songs. This is rare and wondrous stuff, through no fault of my own. Youre welcome to it. Please listen". - Peter Cooper REVIEW 4½ stars (out of 5) By Donald Teplyske To some, Eric Taylor has been a Texas songwriting icon since the seventies. A contemporary of Ray Wylie Hubbard, admired by Guy Clark, and hero to Lyle Lovett, Taylor s sparse catalogue of recordings are cherished, coveted by those few who have encountered them. Peter Cooper has long been an admirer of Eric Taylor. He wrote a stark, insightful piece about Taylor in No Depression back in 2001, and wrote a song about him for MASTER SESSIONS, the album he and Eric Brace did with Lloyd Green and Mike Auldridge. For his latest recording, Cooper has elected to present a dozen of Taylor s songs. Given that Cooper is an amazing songwriter in his own right, this decision carries with it considerable weight: these are amongst the songs that gave Cooper direction, in his words, songs that shaped and changed the way I think and feel about music. Like Taylor, Cooper has a bit of a cult following. Cooper turns the guitar over to co-producer Thomm Jutz, and his contributions offer ideal framing to Cooper s vocal artistry; the bluesy effects of Carnival Jim & Jean have stayed with me through numerous listenings. Cooper has an ideal voice for these songs. He doesn t sound like Taylor, of course, and neither should he. Through a slate of recordings, Cooper has developed a voice and approach to Americana all his own. Vocally, Cooper might always remind us a little of Rodney Crowell, but he is equally individual. Smoother, perhaps. Cooper appreciates Taylors gift for language. Words in the hands of Taylor are never contrived as he constructs a lyric to tell a story. Interestingly, when Eric Taylor has chosen to cover songs by other writers, it has usually been Townes Van Zandt. When Peter Cooper chooses to cover others, it has as often as anyone been Eric Taylor. Well, Taylor and Tom T. Hall, which taken together pretty much gives you Townes Van Zandt. There is no little measure of pensiveness here, the pain and passion of the common (and decidedly uncommon) wanders of life, a combination of grit and honesty that should see us through many an evening. Not every situation depicted will endear listeners to the characters they are as flawed as reality, as blessedly unaware as the rest of us. But you will remember them: the panhandler ( Dollar Bill Hines ) , the lonesome carny hustler and his (perhaps) wiser partner ( Carnival Jim & Jean ) , the desperado whose train never came ( Charlie Ray McWhite ) , the convict who sees himself as Johnny Cash ( Prison Movie ) , and the hopelessly lost romantic ( Two Fires ) . Deadwood, recorded once by Nanci Griffith many a blue moon ago is likely this set s most familiar song. Less mysterious than when heard almost thirty years ago, it is no less stunning a set of observations. These are really great performances of memorable songs, most of which lots of folks haven t heard. Justin Moses (formerly of Kentucky Thunder) colors More Storms with mandolin trills that add dimension to an already incredible song. Depot Light is powerful, even if I get lost in its tale. The Great Divide, which may have been modeled off Stuff That Works, is just as clever if darker. DEPOT LIGHT: SONGS OF ERIC TAYLOR will appeal to Eric Taylor devotees whether they know Peter Cooper or not. Not surprisingly, it will be welcomed by fans of Peter Cooper who may never have encountered Eric Taylor. --The Lonesome Road Review
Feel The Real
By Soulchild, Musiq
Musiq's no nonsense conversational songwriting style and buttery vocals earned him a recording contract as he took on an illuminating, life-changing last name. Musiq Soulchild was born. Everything down to his meticulous throwback soul man image (his trademark apple jack cap and designer shades) screamed SUPERSTAR. Soon Musiq's name was being mentioned alongside modern day R&B royalty like Erykah Badu, R. Kelly, Usher, D'Angelo, Maxwell, and Jill Scott. But he wanted more. "Truthfully, the success I had out the gate was different than how people now make it out to be," Musiq recalls. "I didn't have a chance to revel in that amazing moment of having my first two albums go platinum. I was dealing with political issues, writers, producers, and managers.
College Park
By Logic,
EDITORIAL REVIEWS College Park - Logic [CD]
Hallelujah Nights
By Group), Lanco (musical