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Flying to New York to talk her estranged birth mother into donating a kidney to her younger sister, eighteen-year-old Mia Cox forms an unexpected connection with her seatmate, a famous rock band's runaway lead singer.
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3.
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Summary
"When Mia Cox finds out she can't donate her kidney to save her younger sister's life, she doesn't hesitate to jump on a plane to New York, convinced she can talk their estranged birth mother, Carmen, into donating hers instead. She doesn't know the city or how she'll find Carmen when she gets there, but she has to try. If she doesn't, Maddy's going to die. On the cross-country flight, Mia figures she'll have more than enough time to make a plan for when she lands--where she'll go, where she'll sleep, what she'll eat. But then she falls into an embarrassing conversation with the cute boy sitting next to her, and only after she insults him does she realize he's the one and only Jaxton Scott, the troubled lead singer of a famous rock band she hates. While Mia is running toward what she hopes is a cure for her sister, Jax is running away from his rockstar life. As the hours pass, they get to know each other, and she finds herself opening up to him like she never has to anyone. When Jax vo
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English
Books
Summary
"A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion." In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates - through virtuoso readings of works by Henry James, J.L. Austin, Judith Butler, the psychologist Silvan Tomkins and others - emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is par
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