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1. 
Cover image for The Return (Pulitzer Prize Winner)
Format: 
eBook
Electronic Format: 
HTML, ADOBE EPUB, KINDLE
Language 
English
Books
2016
Summary 
"In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years. When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison. Now, the prisons are empty and little hope remains that Jaballah Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning." This book is a profoundly moving family memoir, a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power"--
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3. 
Cover image for My Friends
Format: 
eBook
Electronic Format: 
HTML, ADOBE EPUB, KINDLE
Language 
English
Books
2019
Summary 
"After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists whom he had admired throughout his life, such as Duccio and Ambrogio Lorenzetti, evoke earlier engagements he has had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments. Complete with gorgeous full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in Matar's life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with the city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape--current relati
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