[In this volume, the author] explor[es] critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities. [In the volume, he offers] an intimate and intensely personal recollection of extraordinary times. -Dust jacket.

"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else." So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities--smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times. By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit

Bob Dylan's Chronicles: Volume One explores the critical junctions in his life and career.

In this non-chronological memoir, Dylan looks back at the many crossroads and intellectual crises of his career, offering deeply personal reflections on his life experiences. From his arrival in Greenwich Village, 1961, to the days of Woodstock, these vividly remembered moments will fascinate fans and anyone else interested in the musical counterculture of the 1960s.

Fictionalized account of actual events and people surrounding Lizzie Borden after her controversial acquittal of the double murder of her father and stepmother in 1892.

Rock music./ Originally released Dec. 1966-Feb. 1981./ Compact disc./ Program and biographical notes by Ray Coleman ([12] p. : col. ports.) inserted in container./ Participants: Eric Clapton, vocals and guitar, with Cream (1st-5th tracks), Blind Faith (6th), Derek and the Dominos (10th-11th), and other unidentified musicians.

"The Philosophy of Modern Song is Bob Dylan's first book of new writing since 2004's Chronicles: Volume One and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together,

Chronicles the private life and public career of Joan Baez, with interviews and archival material.

A two part documentary on the fascinating career of Bob Dylan in the early sixties. Scorsese's film chronicles the early years of Dylan, collecting clips of the singer-songwriter from 1961-66, as he went from being a rising star on the New York City folk scene to one of the country's greatest protest singers to, in the words of one irate concertgoer, a "Judas" for plugging in and going electric.