"Growing up in the Deep South, Natasha Trethewey was never told that in her hometown of Gulfport, Mississippi, black soldiers had played a pivotal role in the Civil War. Off the coast, on Ship Island, stood a fort that had once been a Union prison housing Confederate captives. Protecting the fort was the second regiment of the Louisiana Native Guards-- one of the Union's first official black units. Trethewey's new book of poems pays homage to the soldiers who served and whose voices have reverberated through her own life. The title poem imagines the life of a former slave stationed at the fort, who is charged with writing letters home for the illiterate or invalid POWs and his fellow soldiers. Just as he becomes the guard of Ship Island's memory, so Trethewey recalls her own childhood as the daughter of a black woman and a white man. Her parents' marriage was still illegal in 1966 Mississippi. The racial legacy of the Civil War echoes through elegiac poems that honor her mother and the

"Layering joy and urgent defiance--against physical and cultural erasure, against white supremacy whether intangible or graven in stone--Natasha Trethewey's work gives pedestal and witness to unsung icons. Monument, her first retrospective volume, draws together verses that delineate the stories of working-class African American women, a mixed-race prostitute, one of the first black Civil War regiments, mestizo and mulatto figures in casta paintings, Gulf Coast victims of Hurricane Katrina. Through the collection, inlaid and inextricable, winds the poet's own family history of upheaval and loss, resilience and love ... As a whole, Monument casts new light on the trauma of our national wounds, our shared history. This is a poet's remarkable labor to source evidence, persistence, and strength from the past in order to change the very vocabulary we use to speak about race, gender, and our collective future"--