"The much-anticipated new novel from the internationally acclaimed, best-selling author of 1Q84 and Colorless Tsukuru Tazaki and His Years of Pilgrimage, Killing Commendatore is an epic tour de force of love and loneliness, war and art--as well as a loving homage to The Great Gatsby--and a stunning work of imagination from one of our greatest writers"--

An epic tour de force of love and loneliness, war and art--as well as a loving homage to The Great Gatsby--and a stunning work of imagination from one of our greatest writers.

The much-anticipated new novel from the internationally acclaimed, best-selling author of 1Q84 and Colorless Tsukuru Tazaki and His Years of Pilgrimage, this is an epic tour de force of love and loneliness, war and art, as well as a loving homage to The Great Gatsby, and a stunning work of imagination from one of the greatest writers.

A thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist's home, and an underworld haunted by Double Metaphors. A tour de force of love and loneliness, war and art.

An unnamed thirty-something portrait painter, abandoned by his wife, becomes caretaker of the home of an aging famous artist, Tomohiko Amada. When the younger man discovers an unknown painting in the attic, entitled "Killing Commendatore"--A painting that takes its cues from Mozart's opera Don Giovanni--he also discovers clues about Amada, his family and their involvement in a violent and failed plot to kill a Nazi leader in Vienna. As the painter slowly learns the truth, he is equally consumed by the story of a wealthy and mysterious neighbor, Menshiki, in what is, according to the author, a clear homage to The Great Gatsby. The painter becomes obsessed with Menshiki's doomed love affair, the young girl who might be his child and a stone-lined underground space in the nearby woods where Buddhist priests were once buried alive. This pit becomes a portal into another world, a surreal place where the figures from "Killing Commendatore" take form to guide our narrator on an epic journey