Includes bibliographical references (pages 148-150) and index.
Contents
Two ways of seeing and thinking -- The dominant eye and the brain -- Human faces and expressions -- Seeking and finding the dominant eye -- Drawing and the symbolism of eyes and eyedness -- Why do we make portraits of ourselves and other people? -- Drawing some conclusions.
Summary
A follow-up to the best-selling Drawing on the Right Side of the Brain reveals the role of the dominant eye in artist perception, outlining simple exercises into using the verbal and perceptual brain to see more clearly.