| Description |
xxiv, 252 pages : illustrations (some color), photographs (some color) ; 23 cm |
| Note(S) |
"Latinx Photography in the United States was supported by a grant from the Jacob Lawrence Endowment..." -- title page verso. |
| Bibliography |
Includes bibliographical references (pages 219-239) and indexes. |
| Contents |
Roots and antecedents, 1840-1960s -- Rise of a Latinx consciousness in American photography, 1960s-1980s -- Documents, 1970s-present -- LA Chicanx -- Staging self, narrating culture -- Family -- Archive -- Geographies -- Conceptual statements -- Puerto Rico, connected and apart -- Afterword. |
| Summary |
Whether at UFW picket lines in California's Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s... Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history. |
| Subject(S) |
Hispanic American photographers.
|
|
Photography, Artistic.
|
|
Art criticism.
|
| ISBN |
9780295747637 (paperback) |
|
0295747633 (paperback) |
|
Other Resources
