This fictional account of the closing months of the war against the Portuguese and the consolidation of the independent West African nation of Guinea-Bissau both reflects and critiques the revolutionary process. Mortu Nega, as its title implies, is a unique kind of elegy - not so much to the victims of the liberation struggle as to its survivors. Like the Zimbabwean film Flame (1996) and Gomes' own more disillusioned second feature Udju Azul di Yonta...