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When Esquire magazine planned an issue to salute the American jazz scene in 1958, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them? He didn't own a good camera, didn't know if any musicians would show up, and insisted on setting up the shoot in front of a Harlem brownstone. Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem...
Author
Language
English
Description
In 1958, when Esquire magazine planned an issue saluting the American jazz scene, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them in front of a Harlem brownstone? He didn't own a good camera and didn't know if any of the musicians would show up-but, in the end, he pulled it off. In this captivating collection of poems, Roxane Orgill steps into that photograph, bringing to...
Author
Language
English
Description
In 1958, when Esquire magazine planned an issue saluting the American jazz scene, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them in front of a Harlem brownstone? He didn't own a good camera and didn't know if any of the musicians would show up-but, in the end, he pulled it off. In this captivating collection of poems, Roxane Orgill steps into that photograph, bringing to...
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