"Thirteen-year-old Sadia is Muslim and passionate about one thing: basketball. When her teacher announces tryouts for this year's co-ed team, she jumps at the opportunity. Her talent speaks for itself. Her head scarf, on the other hand, is a problem. Surrounded by her classmates and a new friend, Syrian refugee Amira, Sadia learns about standing up for herself and fighting for what is right. Written from Sadia's point of view, the book examines how three female Muslim teenagers experience life. Sadia wants to maintain her Muslim identity and refuses to remove her head covering at a basketball tournament; Amira is a Syrian refugee, reeling from the trauma she experienced when she fled her home; and Nazreen is ready to eschew her Muslim heritage to fit in with the popular crowd at school."--

Story of a girl who likes everything in nature.

In this beautifully crafted memoir, a young Muslim-Christian woman travels to an insular Jewish community in India to unlock her family's secret history.

Jealousy. Bullying. Anger. Anxiety. Body image issues. Selfies and social media addiction . . . Are you grappling with any of these? Let's be honest, juggling school, extra classes, home, friendships and new relationships can be hard. It's difficult to find balance and really, really tough not to get affected by the 'happy' content we see online. But what is genuine happiness vis-à-vis short-term pleasure? Are we even looking for it in the right place?

"The subject of this book is a new "Islam." This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained--indeed, it is a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out. At this discursive site are many metonyms for Islam: the veiled or "pious" Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question "How do we free ourselves from freedom?" Again and again, freedom is imagined as Western, modern, imperial--a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom's other. At Freedom's Limit is