An intimate journey of many years across the Indian subcontinent-- from the cramped neighborhoods of Old Delhi and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war. The tale begins with Anjum-- who used to be Aftab-- unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd Tilo and the men who loved her-- including Musa, sweetheart and ex-sweetheart, lover and ex-lover. Their fates are as entwined as their arms used to be and always will be. We meet Tilo's landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs' Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi. "An epic novel of love and history and the perseverance of the human spirit in the face of loss and tragedy" -- Provided by publisher.

An intimate journey of many years across the Indian subcontinent. The tale begins with Anjum--who used to be Aftab--unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd, unforgettable Tilo and the men who loved her--including Musa, sweetheart and ex-sweetheart, lover and ex-lover; their fates are as entwined as their arms used to be and always will be. We meet Tilo's landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs' Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi.

"A richly moving new novel--the first since the author's Booker Prize-winning, internationally celebrated debut, The God of Small Things, went on to become a beloved best seller and enduring classic. The Ministry of Utmost Happiness transports us across a subcontinent on a journey of many years. It takes us deep into the lives of its gloriously rendered characters, each of them in search of a place of safety--in search of meaning, and of love. In a graveyard outside the walls of Old Delhi, a resident unrolls a threadbare Persian carpet. On a concrete sidewalk, a baby suddenly appears, just after midnight. In a snowy valley, a bereaved father writes a letter to his five-year-old daughter about the people who came to her funeral. In a second-floor apartment, a lone woman chain-smokes as she reads through her old notebooks. At the Jannat Guest House, two people who have known each other all their lives sleep with their arms wrapped around each other, as though they have just met. A braided narrative of astonishing force and originality, The Ministry of Utmost Happiness is at once a love story and a provocation--a novel as inventive as it is emotionally engaging. It is told with a whisper, in a shout, through joyous tears and sometimes with a bitter laugh. Its heroes, both present and departed, have been broken by the world we live in--and then mended by love. For this reason, they will never surrender. How to tell a shattered story? By slowly becoming everybody. No. By slowly becoming everything. Humane and sensuous, beautifully told, this extraordinary novel demonstrates on every page the miracle of Arundhati Roy's storytelling gifts"-- "An epic novel of love and history and the perseverance of the human spirit in the face of loss and tragedy"--