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Summary
Summary
"An invaluable case for truth-telling in an age of chaos and lies." --Emily Nussbaum
"[Penny] bravely keeps thinking and talking and learning and trying to make the world better." --Caitlin Moran
Smart and provocative, witty and uncompromising, this collection of Laurie Penny's celebrated essays establishes her as one of the most important and vibrant political voices of our time. Bitch Doctrine takes an unflinching look at the definitive issues of our age, from the shock of Donald Trump's election and the victories of the far right to online harassment and the transgender rights movement.
Penny is lyrical and passionate in her desire to confront injustice, and she's writing at the raw edge of a revolution-hungry zeitgeist, a time when it has never been more vital to actively question and fiercely dispute all forms of complacency, including social norms. This darkly comic, often biting yet empathic, revelatory collection will inform, challenge, and engage, and give readers hope and tools for change.
Author Notes
Laurie Penny is a writer and journalist. Her work appears in Vice , the Guardian and many other publications. She is a columnist and Contributing Editor at the New Statesman and Editor-at-Large at The New Inquiry . She was the youngest person to be shortlisted for the Orwell Prize for political writing on her blog "Penny Red." She lives in London.
laurie-penny.com / @PennyRed
Reviews (3)
Kirkus Review
A noted British feminist writer tackles gender, sexism, identity, and power issues in a world being laid waste by "kamikaze capitalism."Pointing to the 2016 American presidential election and the rise of far-right movements across Europe, New Statesman contributing editor Penny (Unspeakable Things: Sex, Lies, and Revolution, 2014) begins with the convincing premise that "toxic masculinity is killing the world." White, working-class men who feel "cheated of their birthright" are taking aim at, among others, "Muslims, migrants and uppity women" and seeking refuge in extreme nationalism and chauvinism. But as the author argues, these men are "dangerously wrong about who pulled the con." Starting from Donald Trump's election, which she calls "the sick recrimination of a society shriveled by anger and anxiety," Penny calls for a resistance in which men and women refuse normalization and take care of themselves and others. The malignant capitalist patriarchy Trump represents hurts women in particular because it entrenches ideas about monogamous heterosexual romance and suggests that women, unlike men, must do it all. Moreover, it pits women, even those who identify as feminist, against each other. By holding women to impossible standards, capitalist patriarchy becomes the taskmaster that shames women and keeps them in their place. At the same time, the "New Chauvinistswant to protect women from violence, as long as they are the right sort of woman." Penny suggests how the much-misunderstood and -reviled trans movement is important to feminism because it helps challenge the extreme binary nature of toxic masculinity by deconstructing "every social stereotype about men and women and their roles in society." Thought at times self-righteous, the author wears the trademark fearlessness that has earned her the name of "bitch" with an admirable lack of apology. Intelligent and defiant, Penny probes the current anti-feminist backlash while exploring zones of social discomfort, all in the name of "imagining a society beyond patriarchy." Polemical writing at its thoughtful best. Copyright Kirkus Reviews, used with permission.
Booklist Review
*Starred Review* Gender identity. Online dating. Sexual harassment. Rape. Abortion. Being a woman has never been easy, but being a woman in today's conflicted culture seems especially fraught. Feminism was supposed to make things more egalitarian. Instead, every nuance of a woman's existence is thrown open to debate. And who better to traverse this minefield of political rhetoric than columnist Penny? Journalist and editor for the Guardian and New Statesman Penny's blogs and Twitter feeds attract hundreds of thousands of followers. The personal is political, and there is not a topic, aspect, or fragment of contemporary feminist life that Penny hasn't observed or experienced. Cutting to the core of an issue with rapier precision, each essay glimmers with aha! moments of realization and right on! sparks of solidarity. From the rise of Donald Trump and the retrograde policies of a new administration to the turmoil created by Brexit, Penny provides a rational but righteous voice in the midst of swirling anger, confusion, idolatry, and sanctimony. Zestfully indignant, resolute, and implacable, Penny's bold and brave commitment assures women of all generations that they have a tenacious ally, persistent observer, and feisty advocate in the always raging, never-resolved culture wars.--Haggas, Carol Copyright 2017 Booklist
New York Review of Books Review
To publish primarily online is to contend with the commenter, that critical form open to anybody and bound by nothing, encouraging the very best and worst reactions. In her latest collection of essays, Penny, a writer who has spent over a decade as a columnist and a journalist, compiles a recent history of works that have inspired many a comment. Here are hot takes on the 2016 American election, reviews of books about how women can have it all, assessments of films like "Star Wars," "Mad Max: Fury Road" and the latest James Bond, interjections in the debate over "safe spaces," and her views on Valentine's Day, to name just a few. Penny pays tribute to many women who did similar work before her. One essay, "If Men Got Pregnant," pays explicit homage to Gloria Steinem's "If Men Could Menstruate." Another, on the work and writing of Nellie Bly, offers an implicit comparison between Bly and Penny. Loosely sorted into sections including "Gender," "Agency," "Violence" and "Future," her writing seems to speak directly to the presumed audience at the original time of publication, anticipating their varied responses. There are frequent references to the people she assumes will disagree with her politics (but then why would they read this book?) as well as the people she assumes already agree with her (but then why would they need this book?). All of this left me lost inside one of the many rhetorical riddles inherent to the internet. Without knowing who will read - or comment on - her work, Penny ends up fighting everybody and persuading nobody. Reading it made me feel like Alice, with Penny as the Cheshire Cat: She seems to say, gesturing to our Twitter feeds, that we're all mad here.
Table of Contents
| Introduction: Bitch Logic | p. 1 |
| 1 Of Madness and Resistance: A US Election Diary | p. 21 |
| 2 Love and Other Chores | p. 55 |
| 3 Culture | p. 95 |
| 4 Gender | p. 163 |
| 5 Agency | p. 219 |
| 6 Backlash | p. 243 |
| 7 Violence | p. 283 |
| 8 Future | p. 333 |
| Acknowledgements | p. 369 |
| Index | p. 371 |