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Library | Item Barcode | Shelf Number | Status |
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Searching... Niagara Falls Public Library | 34305010239302 | 811.54 GIOV AFRICAN AMERICAN | Searching... Unknown |
Searching... North Tonawanda Public Library | 34120005864695 | 811.54 GIOV | Searching... Unknown |
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Summary
Summary
The poetry of Nikki Giovanni has spurred social justice movements and inspired songs, turned hearts and informed generations about the reality of life--especially Black life--in America. One of the foremost African-American writers and activists of her generation, she has been hailed as a healer and a sage, a powerful voice on issues of race, equality, violence, and discrimination.
With Chasing Utopia, Giovanni demands that the prosaic--flowers, food, birdsong, winter--be seen as poetic, and reaffirms once again why she is as energetic, "remarkable" (Gwendolyn Brooks), "wonderful" (Marian Wright Edelman),"outspoken, prolific, energetic" (New York Times), and relevant as ever.
"This slim volume delights on every page. There are stories, imaginings, whimsy, and startling images which prove the poet's power and her command of language . . . Anyone with a love of language will be delighted with this book and the continuing publication of America's treasured poet."--San Francisco Book Review
Author Notes
Nikki Giovanni is one of the most prominent black poets of her generation. Born on June 7, 1943, in Knoxville, Tenn., she graduated from Fisk University and later studied at Columbia University. Giovanni creates strongly written poems to convey messages of love, frustration, alienation, and the black experience. She gained national fame with the publication of Black Feeling, Black Talk, Black Judgement in 1970. Full of the spirit of the black community during this era, her works captured the anger and frustration of many of its members.
Giovanni has been the recipient of grants from both the National Endowment for the Arts and the Ford Foundation. She has taught English at Rutgers University, Ohio State University, and Queens College and has given frequent poetry readings. She is also known for several sound recordings of her poetry, including Truth Is On Its Way. She has also been a Professor of English at the Virginia Polytechnic Institute and State University.
(Bowker Author Biography)
Reviews (2)
Booklist Review
With nearly 30 books for children and adults to her credit as author, and another half-dozen or so as editor, along with a stately list of major awards and honorary degrees, Giovanni has long been a force for literary exuberance and social responsibility. In her latest accessible, teasing, and poignant collection, she offers straightforward, plain-speaking, sneakily resonant poems, many in prose form. Giovanni remembers her grandparents and the joys of simple pleasures: food, Sunday mornings, driving cross-country. She looks back to her childhood and first literary stirrings, and to her return, as a published poet and mother, to take care of her parents after her father's stroke. When she describes the labor involved in scraping off layers of old floor wax, she cues us to reflect on how the past shapes and nurtures us even as we must free ourselves from its smothering accretions. Giovanni also reminds us that Love is a skill; then, in When the Girl Becomes a Poet, she celebrates the opportunity to be a truth giver / contribute / something beautiful and useful to the world. --Seaman, Donna Copyright 2010 Booklist
Library Journal Review
Giovanni is a titan, and deservedly so. In her first book of poems in four years, she focuses on food. One poem pays homage to soup. (LJ 10/15/13) (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Table of Contents
Chasing Utopia | p. 1 |
A Short Essay Affirming Why | p. 4 |
If a Lemon | p. 6 |
Podcast for Bicycles | p. 7 |
Why I Wrote The Grasshopper's Song | p. 9 |
My Sister and Me | p. 13 |
Spices | p. 14 |
The Other Place | p. 16 |
The Lioness Circles Her Brood in New Orleans | p. 17 |
The Right Way | p. 19 |
Spring Blooms | p. 20 |
The International Open | p. 21 |
The Giggle Bank | p. 22 |
Kick Stretch Kick | p. 26 |
Mrs. Scott | p. 27 |
Where Did the Night Go | p. 29 |
It's Just Love | p. 30 |
Still Life with Apron | p. 32 |
One Thing | p. 34 |
And Everyone Will Answer | p. 35 |
Day Pass to Heaven | p. 41 |
My Dream | p. 42 |
Artichoke Soup | p. 43 |
On Knoxville, TN | p. 44 |
Affirming My Birth Date | p. 45 |
The American Vision of Abraham Lincoln | p. 48 |
I Am at That Point | p. 51 |
I Hate Mondays | p. 52 |
A Song for a Blackbird | p. 53 |
Icarus | p. 54 |
When the Girl Became a Poet | p. 56 |
When God Made Mountains | p. 59 |
These Women | p. 62 |
Cooking with Mommy | p. 65 |
What the Fly on the Wall Overheard | p. 68 |
Fear: Eat In or Take Out? | p. 70 |
Biscuits: Dropped or Baked | p. 72 |
Poets | p. 74 |
For Mark Dressman | p. 75 |
Postcards | p. 77 |
In Defense of Flowers | p. 78 |
Werewolf Avoidance | p. 80 |
Exercise | p. 81 |
I Communicate | p. 82 |
The Lone Ranger Rides the Lonesome Trail Again | p. 83 |
For Runaway Slaves | p. 85 |
My Diet | p. 86 |
Nickels for Nina | p. 87 |
Blues for Roanoke | p. 89 |
The Spotlight in the Sky | p. 91 |
The Spider Waltz | p. 92 |
I Wish I Could Live (in a Book) | p. 93 |
I Wish I Could Live (in Music) | p. 95 |
I Wish I Could Live (in a Painting) | p. 97 |
Don Pullen | p. 99 |
Making a Perfect Man | p. 101 |
When My Phone Trembles | p. 104 |
Still Life with Crying Girl | p. 105 |
Robert Champion | p. 107 |
Allowables | p. 109 |
Flying in Kigali | p. 110 |
Terezin | p. 112 |
To the Lion Who Discovered a Deer in His Habitat: Give Him Ketchup! | p. 114 |
The Significance of Poetry | p. 116 |
Note to the South: You Lost | p. 117 |
The Golden Shovel Poem | p. 119 |
Morgantown, WVA | p. 120 |
For Sonia Sanchez | p. 121 |
For Haki Madhubuti | p. 123 |
Our Job Safety Is Your Priority with Coffee | p. 125 |
The Brown Bookshelf | p. 129 |
Interior Vision | p. 131 |
I Give Easily | p. 133 |
People Who Live Alone | p. 134 |
Before You Jump | p. 135 |
You Gave Her Something | p. 137 |
Thirst | p. 139 |
The Scared and the Vulnerable | p. 141 |
Author's Note | p. 143 |