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Why is it easier for a woman to be a muse than to have one? Can one be fully creative - in art or life - without the inspiration of erotic love? These are the questions asked in The Geometry of Love, a novel set in New York in the 1980s, then fast-forwarding to Northern California 20 years later. Julia, an aspiring poet, is living with her British boyfriend Ben, a restrained professor at Princeton, when she has a chance meeting with Michael, a long-ago friend. A charismatic composer, Michael was once a catalyzing muse for her, but now returns as a destabilizing influence. Julia longs to become involved with Michael, but hesitates to give up the security of her relationship with Ben. When Michael signals he is too wounded to make a commitment, Julia turns her triangular situation into a square by setting him up with a cousin.