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After a brief survey of Roman topiary, this book moves on through the formal parterres of Renaissance Italy and the more elaborate broderies of the royal French gardens (copied in palace gardens throughout Europe) , the complicated conceits of the Tudors and the geometry of the Dutch school. It takes a wry look at the 18th century, when many fine formal gardens were scrapped in favor of the English landscape school, which, in fact, was no less artificial. In the 19th century there was a revival of parterres filled with tender bedding plants. Green architecture returned with the Arts and Crafts movement, became unfashionable in the mid-20th century and has had a revival in the last decade or so in a more abstract and sculptural form, inspired somewhat by Japanese "cloud" topiary.



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