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"An unconventional, atmospheric exploration of London from one its most unique chroniclers... . Readers interested in the history of London will greatly enjoy tracing the author's walks, and even those who think they know everything about London may be pleasantly surprised. This is no ordinary memoir, but we wouldn't expect such from one of England's most inventive psychogeographic writers. " - Kirkus Reviews, Starred Review Iain Sinclair has been documenting the peculiar magic of the river-city that absorbs and obsesses him for most of his adult life. In The Last London, he strikes out on a series of solitary walks and collaborative expeditions to make a final reckoning with a capital stretched beyond recognition. Here is a mesmerising record of secret scholars and whispering ghosts.



About the Author

Iain Sinclair

Iain Sinclair is a British writer and film maker. Much of his work is rooted in London, most recently within the influences of psychogeography. Sinclair's education includes studies at Trinity College, Dublin, where he edited Icarus, the Courtauld Institute of Art (University of London) , and the London School of Film Technique (now the London Film School) .His early work was mostly poetry, much of it published by his own small press, Albion Village Press. He was (and remains) closely connected with the British avantgarde poetry scene of the 1960s and 1970s ?? authors such as J.H. Prynne, Douglas Oliver, Peter Ackroyd and Brian Catling are often quoted in his work and even turn up in fictionalized form as characters; later on, taking over from John Muckle, Sinclair edited the Paladin Poetry Series and, in 1996, the Picador anthology Conductors of Chaos. His early books Lud Heat (1975) and Suicide Bridge (1979) were a mixture of essay, fiction and poetry; they were followed by White Chappell, Scarlet Tracings (1987) , a novel juxtaposing the tale of a disreputable band of bookdealers on the hunt for a priceless copy of Arthur Conan Doyle's A Study in Scarlet and the Jack the Ripper murders (here attributed to the physician William Gull) .Sinclair was for some time perhaps best known for the novel Downriver (1991) , which won the James Tait Black Memorial Prize and the 1992 Encore Award. It envisages the UK under the rule of the Widow, a grotesque version of Margaret Thatcher as viewed by her harshest critics, who supposedly establishes a one party state in a fifth term. The volume of essays Lights Out for the Territory gained Sinclair a wider readership by treating the material of his novels in non-fiction form. His essay 'Sorry Meniscus' (1999) ridicules the Millennium Dome. In 1997, he collaborated with Chris Petit, sculptor Steve Dilworth, and others to make The Falconer, a 56 minute semi-fictional 'documentary' film set in London and the Outer Hebrides about the British underground filmmaker Peter Whitehead. It also features Stewart Home, Kathy Acker and Howard Marks. One of his most recent works and part of a series focused around London is the non-fiction London Orbital; the hard cover edition was published in 2002, along with a documentary film of the same name and subject. It describes a series of trips he took tracing the M25, London's outer-ring motorway, on foot. Sinclair followed this with Edge of the Orison, a psychogeographical reconstruction of the poet John Clare's walk from Dr Matthew Allen's private lunatic asylum, at Fairmead House, High Beach, in the centre of Epping Forest in Essex, to his home in Helpston, near Peterborough. Sinclair also writes about Claybury Asylum, another psychiatric hospital in Essex, in Rodinsky's Room, a collaboration with the artist Rachel Lichtenstein. Much of Sinclair's recent work consists of an ambitious and elaborate literary recu



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