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In 2012 writer John Sutherland permanently lost his sense of smell. At about the same time, he embarked on a rereading of George Orwell and - still coping with his recent disability - noticed something peculiar: Orwell was positively obsessed with smell. In this original, irreverent biography, Sutherland offers a fresh account of Orwell's life and works, one that sniffs out a unique, scented trail that wends from Burmese Days through Nineteen Eighty-Four and on to The Road to Wigan Pier. Sutherland airs out the odors, fetors, stenches, and reeks trapped in the pages of Orwell's books. From Winston Smith's apartment in Nineteen Eighty-Four, which "smelt of boiled cabbage and old rag mats," to the tantalizing aromas of concubine Ma Hla May's hair in Burmese Days, with its "mingled scent of sandalwood, garlic, coconut oil, and jasmine," Sutherland explores the scent narratives that abound in Orwell's literary world. Along the way, he elucidates questions that have remained unanswered in previous biographies, addressing gaps that have kept the writer elusively from us. In doing so, Sutherland offers an entertaining but enriching look at one of the most important writers of the twentieth century and, moreover, an entirely new and sensuous way to approach literature: nose first.



About the Author

John Sutherland

John Andrew Sutherland is an English lecturer, emeritus professor, newspaper columnist and author. Now Emeritus Lord Northcliffe Professor of Modern English Literature at University College London, John Sutherland began his academic career after graduating from the University of Leicester as an assistant lecturer in Edinburgh in 1964. He specialises in Victorian fiction, 20th century literature, and the history of publishing. Apart from writing a regular column in the , Sutherland has published seventeen (as of 2004) books and is editing the forthcoming Oxford Companion to Popular Fiction. The series of books which starts with has brought him a wide readership. The books in the series are collections of essays. Each essay takes a piece of classic fiction, almost always from the Victorian period. Carefully going over every word of the text, Sutherland highlights apparent inconsistencies, anachronisms and oversights, and explains references which the modern reader is likely to overlook. In some cases he demonstrates the likelihood that the author simply forgot a minor detail. In others, apparent slips on the part of the author are presented as evidence that something is going on beyond the surface of the book which is not explicitly described (such as his explanation for why Sherlock Holmes should mis-address Miss Stoner as Miss Roylott in "The Adventure of the Speckled Band") .In 2001, he published , a moving chronicle of his alcoholism and his return to sobriety. In 2005, he was involved in Dot Mobile's project to translate summaries and quotes of classic literature into text messaging shorthand. In the same year he was also Chair of Judges for the Booker Prize. In June 2007 he published an autobiography: . On 18 December 2007 his annotated edition of Robert Louis Stevenson's was released by Penguin Books.



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