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Bertie's mother, Irene, returns from the Middle East to discover that, in her absence, her son has been exposed to the worst of evils -- television shows, ice cream parlors, and even unsanctioned art at the National Portrait Gallery. Her wrath descends on Bertie's long-suffering father, Stuart. But Stuart has found a reason to spend more time outside of the house and seems to have a new spring in his step. What does this mean for the residents of 44 Scotland Street?