About this item

The gripping story of one of the most enigmatic and alluring figures in British history: a dangerous double agent and Irish rogue in King Charles II's court One morning in May 1671, a man disguised as a parson daringly attempted to seize the Crown Jewels from the Tower of London. Astonishingly, he managed to escape with the regalia and crown before being apprehended. And yet he was not executed for treason. Instead, the king granted him a generous income and he became a familiar strutting figure in the royal court's glittering state apartments. This man was Colonel Thomas Blood, a notorious turncoat and fugitive from justice. Nicknamed the 'Father of all Treasons,' he had been involved in an attempted coup d'etat in Ireland as well as countless plots to assassinate Charles II.



About the Author

Robert Hutchinson

Robert Hutchinson was Defence Correspondent for the UK national news agency, the Press Association in Fleet Street from 1978-83 before moving to Jane's Information Group to launch Jane's Defence Weekly and becoming Publishing Director, responsible for books, magazines, journals and digital titles. From 1997-2008, he was chairman of the media side of the Defence, Press and Broadcasting Advisory Committee, the unique British system that protects national security in the reporting of military or intelligence issues.
He is a fellow of the Society of Antiquaries of London, an associate tutor in church archaeology at the University of Sussex, and an expert in the arcaheology of the Reformation. He was appointed OBE in the 2008 New Year's Honours list.
A keen historian and archaeologist, Hutchinson believes that Britain's history provides stories of more drama and passion than could ever be made up for any television or film screenplay. He uses as much original documents as possible in researching his highly-acclaimed books because 'it's good to read the character's own words written at the time'.
He writes a strong narrative, with additional information on people, places and events, provided in the endnotes, so that any questions the reader might have can be quickly answered. 'The narrative is stand alone - it's up to the reader to decide whether to pause in the story to discover extra information'



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