About this item
A wondrous new collection by Dana Gioia, "one of America's premier poets and critics" (Julia Alvarez) .. Dana Gioia has been hailed for decades as a master of traditional lyric forms, whose expansive and accessible poems are offerings of rare poignancy and insight. In Meet Me at the Lighthouse, he invites us back to old Los Angeles, where the shabby nightclub of the title beckons us into its noirish immortality. Elsewhere, he laments the once-vibrant neighborhood where he grew up, now bulldozed, and recalls his working-class family of immigrants. Gioia describes a haunting from his mother on his birthday, Christmas Eve. Another poem remembers his uncle, a US Merchant Marine. And "The Ballad of Jesus Ortiz" tells the story of his great-grandfather, a Mexican vaquero who was shot dead at a tavern in Wyoming during a dispute over a bar tab.
About the Author
Dana Gioia is an internationally acclaimed and award-winning poet. Former Chairman of the National Endowment for the Arts, Gioia is a native Californian of Italian and Mexican descent. He received a B.A. and a M.B.A. from Stanford University and an M.A. in Comparative Literature from Harvard University. (Gioia is pronounced JOY-uh. ) Gioia has published four full-length collections of poetry, as well as eight chapbooks. His poetry collection, Interrogations at Noon, won the 2002 American Book Award. An influential critic as well, Gioia's 1991 volume Can Poetry Matter? , which was a finalist for the National Book Critics Circle award, is credited with helping to revive the role of poetry in American public culture. Gioia's reviews have appeared in many magazines including The New Yorker, The Atlantic, The Washington Post Book World, The New York Times Book Review, Slate, and The Hudson Review. Gioia has written two opera libretti and is an active translator of poetry from Latin, Italian, and German. As Chairman of the NEA, Gioia succeeded in garnering enthusiastic bi-partisan support in the United States Congress for the mission of the Arts Endowment, as well as in strengthening the national consensus in favor of public funding for the arts and arts education. (Business Week Magazine referred to him as "The Man Who Saved the NEA. ") Gioia's creation of a series of NEA National Initiatives combined with a wider distribution of direct grants to reach previously underserved communities making the agency truly national in scope. Through programs such as Shakespeare in American Communities, Operation Homecoming: Writing the Wartime Experience, NEA Jazz Masters, American Masterpieces, and Poetry Out Loud, the Arts Endowment has successfully reached millions of Americans in all corners of the country. The Big Read became the largest literary program in the history of the federal government. By the end of 2008, 400 communities had held month-long celebrations of great literature. Because of these successes as well as the continued artistic excellence of the NEA's core grant programs, the Arts Endowment, under Chairman Gioia, reestablished itself as a preeminent federal agency and a leader in the arts and arts education. Renominated in November 2006 for a second term and once again unanimously confirmed by the U.S. Senate, Dana Gioia is the ninth Chairman of the National Endowment for the Arts.Gioia left his position as Chairman on January 22, 2009. In 2011 Gioia became the Judge Widney Professor of Poetry and Public Culture at the University of Southern California where he teaches each fall semester.Gioia has been the recipient of ten honorary degrees. He has won numerous awards, including the 2010 Laetare Medal from Notre Dame. He and his wife, Mary, have two sons. He divides his time between Los Angeles and Sonoma County, California
