About this item
A landmark examination of the fraught relationship between humans and animals, taking the reader from Genesis to climate change.. Beginning with the very origins of life on Earth, Woolfson considers prehistoric human-animal interaction and traces the millennia-long evolution of conceptions of the soul and conscience in relation to the animal kingdom, and the consequences of our belief in human superiority. She explores our representation of animals in art, our consumption of them for food, our experiments on them for science, and our willingness to slaughter them for sport and fashion, as well as examining concepts of love and ownership. Drawing on philosophy and theology, art and history, as well as her own experience of living with animals and coming to know, love, and respect them as individuals, Woolfson examines some of the most complex ethical issues surrounding our treatment of animals and argues passionately and persuasively for a more humble, more humane, relationship with the creatures who share our world.
About the Author
Esther Woolfson
Esther Woolfson was brought up in Glasgow and studied Chinese at the Hebrew University of Jerusalem and Edinburgh University. Her critically acclaimed short stories have appeared in many anthologies including 'New Writing Scotland' and several volumes of 'Scottish Short Stories'and have been read on Radio 4.She has won prizes for them and for nature writing. She was awarded a Scottish Arts Council Travel Grant which enabled her to travel in Poland and Lithuania. Esther won the Waterstone's/Arvon short prize prize for her short story 'Passing On' and her short story 'Statues' was shortlisted for the Macallan Prize. Her short story,'Chagall' is in the Scottish Arts Council on-line short story archive and her article, 'Trump in Scotland' was published in the American magazine n 1.Her book on natural history, Corvus was published by Granta in August, 2008. It was Book of the Week on BBC Radio 4. Her novel Piano Angel was published by Two Ravens Press October 2008. Esther took part in an Artists' Residency at Aberdeen University's Centre for Environmental Sustainability. She gave a paper on the relationship between the arts and science, in which she examined the breaking-down of the traditional separation between the disciplines. Esther was Writer in Residence at Kielder as part of the Hexham Book Festival in 2012. 'Field Notes From a Hidden City' is about the relationship between the urban and the 'wild', between the people who live in cities and the most common species who share our living space - pigeons, spiders, rats, squirrels. It touches on themes of biology, climate change, phenology and the ethics of human-animal relations. It is published in February 2013.
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