About this item
Best friends Nora, Darleen, and Andrea have one thing in common: they hustle by any means necessary. Money is never a problem for these sexy, big and beautiful women, and neither is getting a man.Darleen doesn't really like her current occupation, but she loves the money she makes from doing it. What happens when an out-of-work Darleen devises a plan to rob her former boss? Can she manage to push a different kind of weight, or will she need to call in reinforcements?Nora loves her job at the hospital and takes her position very seriously. After she is fired for not reporting an incident involving her fellow co-worker, will she dust off the Want Ads and look for a new employer or will she team up with her two best friends, along with a sexy corner boy named Bugsy, and flood the city with a different kind of prescription?Take a ride with these women as they get a firsthand look at the craziness that comes along with building a drug empire and trying to stay on top.
About the Author
Blake Karrington is more than an author. He's a storyteller who places his readers in action-filled moments. It's in these creative spaces that readers are allowed to get to know his complex characters as if they're really alive.
Most of Blake's titles are centered in the South, in urban settings, that are often overlooked by the mainstream. But through Blake's eyes, readers quickly learn that places like Charlotte, NC can be as gritty as they come. It's in these streets of this oft overlooked world where Blake portrays murderers and thieves alike as believable characters. Without judgment, he weaves humanizing back stories that serve up compelling reasons for why a drug dealer might choose a life of crime.
Readers of his work, speak of the roller coaster ride of emotions that ensues from feeling anger at empathetic characters who always seem to do the wrong thing at the right time, to keep the story moving forward.
In terms of setting, Blake's stories introduce his readers to spaces they may or may not be used to - streetscapes with unkept, cracked sidewalks where poverty prevails, times are depressed and people are broke and desperate. In Blake storytelling space, morality is so curved that rooting for bad guys to get away with murder can sometimes seem like the right thing for the reader to do - even when it's not.
Readers who connect with Blake find him to be relatable. Likening him to a bad-boy gone good, they see a storyteller who writes as if he's lived in the world's he generously shares, readily conveying his message that humanity is everywhere, especially in the unlikely, mean streets of cities like Charlotte.
