About this item

The fourth edition of this popular guide contains twenty-nine of the most essential business and legal forms to meet the everyday needs of today's illustrators. Updated throughout, new forms include a promissory note, releases, and an agreement to arbitrate. Each form is accompanied by step-by-step instructions, advice on standard contractual provisions, and unique negotiation checklists for making the best deal. Included are:Estimate * Confirmation of Assignment * Invoice * Illustrator-Agent Contract * Book Publishing Contract * Collaboration Contract * Contract for the Sale of an Artwork * Contract for Receipt and Holding of Artwork * Illustrator-Gallery Contract with Record of Consignment and Statement of Account * Licensing Contract to Merchandise Images * Release Form for Models * Property Release * Permission Form * Nondisclosure Agreement for Submitting Ideas * Copyright Transfer Form * Application for Copyright Registration of Artwork * License of Rights and Electronic Rights * Contract with an Independent Contractor * Trademark Application * Commercial Lease * Sublease * Lease AssignmentThe collection provides a password and link to a supplemental website, which contains all the discussed forms for both the PC and Mac platforms.



About the Author

Tad Crawford

Allworth Press publisher and founder Tad Crawford is an author, attorney, and artists' rights advocate. His most recent book is the novel A Floating Life ("strangely shimmering..." -Kirkus Review) , which is published by Arcade Publishing.Born in New York City, Crawford grew up in the artists colony of Woodstock, New York. Interested in writing both fiction and nonfiction, he majored in economics at Tufts College and graduated from Columbia Law School in February 1971. ("That explains the unusual amalgam of my activities," Crawford says. "A lot of legal skills are crucial for helping the artist and for running a publishing company. Of course, writing is an excellent background for publishing. So it's come together very well.") Crawford clerked for a judge of the New York Court of Appeals, the state's highest court, then went to work for a small general law firm in New York City while writing and teaching writing and literature at the School of Visual Arts. Until he took the teaching assignment at the School of Visual Arts and learned of the need for materials to help artists understand their rights, he had not envisioned being an advocate of artists' rights."I found nothing in print to help artists deal with such legal matters as copyrights, contracts, income taxes, the 'hobby loss' problem, estate planning, or even how to get grants," recalls Crawford. And so, responding to what he saw as "an extreme need," he wrote a book dealing with those and other relevant issues, titling it Legal Guide for the Visual Artist and using it as a text for the "Law and the Visual Artist" course that he taught at the School of Visual Arts. Published in 1977, Legal Guide for the Visual Artist is now in its fourth edition and has one hundred thousand copies in print. He followed this with The Writer's Legal Guide in 1978 (which has been updated and reissued with The Authors Guild as co-publisher and Kay Murray, the General Counsel for the Authors Guild, as co-author) . With Arie Kopelman he wrote Selling Your Photography in 1980 and Selling Your Graphic Design and Illustration in 1981. At the same time Crawford served as Chairman of the Board for the Foundation for the Community of Artists, legislative counsel for the Copyright Justice Coalition (which had many arts groups as members) , and general counsel for the Graphic Artists Guild. In 1982 Crawford was asked to help publish books for some of the organizations that he had represented as an attorney. In response, he became publisher of Madison Square Press, which issued annuals for such artists'organizations as the Society of Illustrators, the Society of Publication Designers, the Art Directors Club of New York, and the Art Directors Club of Los Angeles.In 1988 he decided to strike out in a new direction, "to create a press that would offer the kind of information that was more like what I had taught, written about,



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