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"Destined to become a classic text on the absurdities of war. . . A beautifully written account of a young Israeli soldier's experience. A stunning achievement." - Kai Bird, Pulitzer Prize-winning biographer and New York Times bestselling author of The Good Spy It was one small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples still felt worldwide today. The hill, in Lebanon, was called the Pumpkin; flowers was the military code word for "casualties." Award-winning writer Matti Friedman re-creates the harrowing experience of a band of young soldiers--the author among them--charged with holding this remote outpost, a task that changed them forever and foreshadowed the unwinnable conflicts the United States would soon confront in Iraq, Afghanistan, and elsewhere. Part memoir, part reportage, part military history, this powerful narrative captures the birth of today's chaotic Middle East and the rise of a twenty-first-century type of war in which there is never a clear victor, and media images can be as important as the battle itself. Raw and beautifully rendered, Pumpkinflowers will take its place among classic war narratives by George Orwell, Philip Caputo, and Vasily Grossman. It is an unflinching look at the way we conduct war today. "Inspiring, heartbreaking, illuminating. Matti Friedman's brilliant account of a forgotten war seen through the lens of a simple soldier is at once a coming-of-age story and an essential chronicle about how the twenty-first century was born." - Yossi Klein Halevi, author of Like Dreamers



About the Author

Matti Friedman

Matti Friedman is an Israeli Canadian journalist and author. Friedman was born in Canada and grew up in Toronto. In 1995, he made aliyah to Israel and now he lives in Jerusalem. Between 2006 and the end of 2011, Friedman was a reporter and editor in the Jerusalem bureau of the Associated Press (AP) news agency. During his journalistic career, he also worked as a reporter in Egypt, Morocco, Lebanon, Moscow and Washington, D.C.Following the 2014 Israel-Gaza conflict, Friedman wrote an essay criticizing what he views as the international media's bias against Israel and undue focus on the country, stating that news organizations treat it as "most important story on earth. " He cited the fact that when he was a correspondent at the Associated Press (AP) , "the agency had more than 40 staffers covering Israel and the Palestinian territories. That was significantly more news staff than the AP had in China, Russia, or India, or in all of the 50 countries of sub-Saharan Africa combined. It was higher than the total number of news-gathering employees in all the countries where the uprisings of the 'Arab Spring" eventually erupted. .. I don't mean to pick on the AP - the agency is wholly average, which makes it useful as an example. The big players in the news business practice groupthink, and these staffing arrangements were reflected across the herd. " Israeli newspaper Haaretz reported that the piece went "viral" on Facebook. The Atlantic then invited Friedman to write a longer article. Friedman's first book, The Aleppo Codex: A True Story of Obsession, Faith and the Pursuit of an Ancient Bible, was published in May 2012 by Algonquin Books. The book is an account of how the Aleppo Codex, "the oldest, most complete, most accurate text of the Hebrew Bible," came to reside in Israel. It was believed the codex had been destroyed during the 1947 Anti-Jewish riots in Aleppo when the Central Synagogue of Aleppo, where the codex was housed, was set on fire and badly damaged. In the book, Friedman also investigates how and why many of the codex's pages went missing and what their fate might be. The book won the 2014 Sami Rohr Prize for Jewish Literature, was selected as one of Booklist's top ten religion and spirituality books of 2012, was awarded the American Library Association's 2013 Sophie Brody Medal and the 2013 Canadian Jewish Book Award for history, and received second place for the Religion Newswriters Association's 2013 nonfiction religion book of the year.



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