About this item

"A pointed commentary on the self-interested ambivalence of the middle class during the revolutionary years, this film received little recognition until its rediscovery by French critic Georges Sadoul in the 1960s. Landowner Mendoza's sole concern is his own financial security. He survives the Mexican revolution by feigning support for both government and revolutionary forces, alternately hanging portraits of Huerta and Zapata according to the color worn by approaching troops. During Mendoza's wedding, the Zapatistas and Huertistas finally confront each other. Mendoza's execution is imminent, but a revolutionary general intervenes. Even a life-saving reprieve does not inspire Mendoza's loyalty and he betrays his revolutionary intercessor, making a pact with the government in order to save himself from financial ruin"--Mexican Cinema Project, 1994.