About this item
The necktie murders in Alfred Hitchcock's Frenzy; Chicago's Jazz Age crime of passion; the fatal hookup in Looking for Mr. Goodbar; the high school horrors committed by the costumed slasher in Scream. These and other cinematic crimes have become part of pop-culture history. And each found inspiration in true events that provided the raw material for our greatest blockbusters, indie art films, black comedies, Hollywood classics, and grindhouse horrors.So what's the reality behind Psycho, Badlands, The Hills Have Eyes, A Place in the Sun, Arsenic and Old Lace, and Dirty Harry? How did such tabloid-ready killers as Bonnie and Clyde, body snatchers Burke and Hare, Texas sniper Charles Whitman Jr., nurse-slayer Richard Speck, and Leopold and Loeb exert their power on the public imagination and become the stuff of movie lore?In this collection of revelatory essays, true-crime historian Harold Schechter takes a fascinating trip down the crossroads of fact and fiction to reveal the sensational real-life stories that are more shocking, taboo, and fantastic than even the most imaginative screenwriter can dream up.
About the Author
Harold Schechter is an American true crime writer who specializes in serial killers. He attended the State University of New York in Buffalo where his PhD director was Leslie Fiedler. He is professor of American literature and popular culture at Queens College of the City University of New York.Schechter is married to poet Kimiko Hahn. He has two daughters from a previous marriage: the writer Lauren Oliver and professor of philosophy Elizabeth Schechter. His newest book, The Mad Sculptor, (about a sensational triple murder at Beekman Place in New York City in 1937) will be published in February 2014.Praise for THE MAD SCULPTOR:"Ambitious, bold, and evocative, Schechter's storytelling grabs the reader in a similar manner to Capote's searing In Cold Blood." --Publishers Weeklyhttp://www.publishersweekly.com/978-0-544-11431-9"Perfect for readers who enjoy the stories of the sensationalistic press of the 1930s and its crass exploitation of the details of horrific murders." - Kirkus https://www.kirkusreviews.com/book-reviews/harold-schechter/the-mad-sculptor/