About this item
The classic collection of five deeply resonant and disturbing interconnected stories from #1 New York Times bestselling author Stephen King. Innocence, experience, truth, deceit, loss, and recovery are at the core of these five interconnected, sequential tales--each deeply rooted in the 1960s, and each scarred by the Vietnam War, which continues to cast its shadow over American lives, politics and culture. In Part One, "Low Men in Yellow Coats, " eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror. In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest, and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast. In "Blind Willie" and "Why We're in Vietnam, " two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow--and as haunted--as their own lives. And in "Heavenly Shades of Night Are Falling, " this remarkable book's denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart's desire may await him. Full of danger and suspense, full of heart, this spellbinding fiction will take some readers to a place they have never been... and others to a place they have never been able to completely forget. Nearly twenty years after its first publication, Hearts in Atlantis is powerful and astonishingly current. "You will see Stephen King in a new light. Read this moving, heartfelt tragedy and weep--weep for our lost conscience. " --BookPage
About the Author
Stephen Edwin King was born the second son of Donald and Nellie Ruth Pillsbury King. After his father left them when Stephen was two, he and his older brother, David, were raised by his mother. Parts of his childhood were spent in Fort Wayne, Indiana, where his father's family was at the time, and in Stratford, Connecticut. When Stephen was eleven, his mother brought her children back to Durham, Maine, for good. Her parents, Guy and Nellie Pillsbury, had become incapacitated with old age, and Ruth King was persuaded by her sisters to take over the physical care of them. Other family members provided a small house in Durham and financial support. After Stephen's grandparents passed away, Mrs. King found work in the kitchens of Pineland, a nearby residential facility for the mentally challenged. Stephen attended the grammar school in Durham and Lisbon Falls High School, graduating in 1966. From his sophomore year at the University of Maine at Orono, he wrote a weekly column for the school newspaper, THE MAINE CAMPUS. He was also active in student politics, serving as a member of the Student Senate. He came to support the anti-war movement on the Orono campus, arriving at his stance from a conservative view that the war in Vietnam was unconstitutional. He graduated in 1970, with a B.A. in English and qualified to teach on the high school level. A draft board examination immediately post-graduation found him 4-F on grounds of high blood pressure, limited vision, flat feet, and punctured eardrums. He met Tabitha Spruce in the stacks of the Fogler Library at the University, where they both worked as students; they married in January of 1971. As Stephen was unable to find placement as a teacher immediately, the Kings lived on his earnings as a laborer at an industrial laundry, and her student loan and savings, with an occasional boost from a short story sale to men's magazines. Stephen made his first professional short story sale ("The Glass Floor") to in 1967. Throughout the early years of his marriage, he continued to sell stories to men's magazines. Many were gathered into the collection or appeared in other anthologies.In the fall of 1971, Stephen began teaching English at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels.
