About this item
In this finale of the darkly gothic Mirror Sisters trilogy, one twin fears her reunion with sister dearest - from the legendary New York Times bestselling author of Flowers in the Attic and My Sweet Audrina (now Lifetime movies) . For fans of Ruth Ware (The Woman in Cabin 10) and Liane Moriarty (Big Little Lies) .They share an unbreakable bond... An inescapable bond. As identical twins, Haylee and Kaylee Fitzgerald have always done things in exactly the same way. Under their mother's guidance their every outfit, every meal, and every thought was identical. But now things are different. With Kaylee back at home after her sister's betrayal, her life has been turned inside out. Both her mother and Haylee are away and Kaylee's alone and more lost than ever.
About the Author
Virginia Cleo Andrews (born Cleo Virginia Andrews) was born June 6, 1923 in Portsmouth, Virginia. The youngest child and the only daughter of William Henry Andrews, a career navy man who opened a tool-and-die business after retirement, and Lillian Lilnora Parker Andrews, a telephone operator. She spent her happy childhood years in Portsmouth, Virginia, living briefly in Rochester, New York. The Andrews family returned to Portsmouth while Virginia was in high school. While a teenager, Virginia suffered a tragic accident, falling down the stairs at her school and incurred severe back injuries. Arthritis and a failed spinal surgical procedure forced her to spend most of her life on crutches or in a wheelchair. Virginia excelled in school and, at fifteen, won a scholarship for writing a parody of Tennyson's . She proudly earned her diploma from Woodrow Wilson High School in Portsmouth. After graduation, she nurtured her artistic talent by completing a four-year correspondence art course while living at home with her family. After William Andrews died in the late 1960s, Virginia helped to support herself and her mother through her extremely successful career as a commercial artist, portrait painter, and fashion illustrator. Frustrated with the lack of creative satisfaction that her work provided, Virginia sought creative release through writing, which she did in secret. In 1972, she completed her first novel, [sic], a science-fantasy story. It was never published. Between 1972 and 1979, she wrote nine novels and twenty short stories, of which only one was published. "I Slept with My Uncle on My Wedding Night", a short fiction piece, was published in a pulp confession magazine. Promise gleamed over the horizon for Virginia when she submitted a 290,000-word novel, , to a publishing company. She was told that the story had potential, but needed to be trimmed and spiced up a bit. She drafted a new outline in a single night and added "unspeakable things my mother didn't want me to write about." The ninety-eight-page revision was re-titled and she was paid a $7,500 advance. Her new-generation Gothic novel reached the bestseller lists a mere two weeks after its 1979 paperback publication by Pocket Books., her sequel to , was published the next year, earning Virginia a $35,000 advance. The second book remained on the New York Times bestseller list for an unbelievable nineteen weeks ( also returned to the list) . These first two novels alone sold over seven million copies in only two years. The third novel of the Dollanganger series, , was released in 1981, bringing Virginia a $75,000 advance. It reached No. 2 on many bestseller lists within its first two weeks.Taking a break from the chronicles of Chris and Cathy Dollanganger, Virginia published her one, and only, stand-alone novel, , in 1982. The book welcomed an immediate success, topping the sales figures of her previous novels. Two years later, a fourth Dollanga
