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Why does a college course on death have a three-year waiting list? When nurse Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year students crowd into her classroom, and the reason is clear: Norma's "death class" is really about how to make the most of what poet Mary Oliver famously called our "one wild and precious life." Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. By following her over four years, award-winning journalist Erika Hayasaki shows how Norma steers four extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind.



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Erika Hayasaki

The Death Class: A True Story About LifeWhen nurse and professor Norma Bowe decided to teach a course on death at a college in New Jersey, she never expected it to be popular. But year after year, students crowd into her classroom and the reason why is clear: Norma's "death class" is really about how to make the most of what poet Mary Oliver famously called our "one wild and precious life. " Under the guise of discussions about last wills and last breaths and visits to cemeteries and crematoriums, Norma teaches her students to find grace in one another. By following her over three years, award-winning journalist Erika Hayasaki shows how Norma steers a group of extraordinary students from their tormented families and neighborhoods toward happiness: she rescues one young woman from her suicidal mother, helps a young man manage his schizophrenic brother, and inspires another to leave his gang life behind. Through this unorthodox class on death, Norma helps kids who are barely hanging on to understand not only the value of their own lives, but also the secret of fulfillment: to throw yourself into helping others. Hayasaki's expert reporting and literary prose bring Norma's wisdom out of the classroom, transforming it into an inspiring lesson for all. In the end, Norma's very own life - and how she lives it - is the lecture that sticks. Erika Hayasaki spent nine years as a reporter for the Los Angeles Times before becoming an assistant professor in the Literary Journalism program at the University of California, Irvine. She is a recipient of the Los Angeles Times Best Writing Award, the Association of Sunday Feature Editors Award, and the American Society of Newspaper Editors Breaking News Award. She had also been a two-time finalist for the Livingston Award for Young Journalists.



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