About this item
A brave girl flees a ghoul while trying to save her town in this lively, fast-paced companion to National Book Award winner Goblin Secrets.. Kaile lives in Zombay, an astonishing city where goblins walk the streets and witches work their charms and curses. Kaile wants to be a musician and is delighted when a goblin gives her a flute carved out of bone. But the flutes single, mournful song has a dangerous consequence: It separates Kaile and her shadow. Anyone without a shadow is considered dead, and despite Kailes protests that shes alive and breathing, her family forces her to leave so she cant haunt their home. Kaile and her shadow soon learn that the troublesome flute is tied to a terrifying ghoul made from the bones of those who drowned in the Zombay River. With the ghoul chasing her and the river threatening to flood, Kaile has an important role to play in keeping Zombay safe. Will Kaile and her shadow be able to learn the right tune in time? Set in the delightful and dangerous world of Goblin Secrets, Ghoulish Song is a gripping adventure laced with humor and mystery from National Book Award-winning author William Alexander.
About the Author
William Alexander is the author of the best-selling memoir, "The $64 Tomato," and "52 Loaves: A Half-Baked Adventure," his hilarious and moving account of a year spent striving to bake the perfect loaf of bread. His latest book is "Flirting With French," about his often riotous attempt to fulfill a life-dream of learning French.The New York Times Style Magazine says about Alexander, "His timing and his delivery are flawless." He has appeared on NPR's Morning Edition, at the National Book Festival in Washington, DC, and was a 2006 Quill Book Awards finalist. Alexander has been a frequent contributor the New York Times op-ed pages, where he has opined on such issues as the Christmas tree threatening his living room, Martha Stewart, and the difficulties of being organic.When not gardening, baking, or writing, Bill keeps his day job as director of technology at a psychiatric research institution, where, after 36 years, he persists in the belief that he is a researcher, not a researchee.
