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When doctors told Art Buchwald that his kidneys were kaput, the renowned humorist declined dialysis and checked into a Washington, D.C., hospice to live out his final days. Months later, “The Man Who Wouldn’t Die” was still there, feeling good, holding court in a nonstop “salon” for his family and dozens of famous friends, and confronting things you usually don’t talk about before you die; he even jokes about them.Here Buchwald shares not only his remarkable experience–as dozens of old pals from Ethel Kennedy to John Glenn to the Queen of Swaziland join the party–but also his whole wonderful life: his first love, an early brush with death in a foxhole on Eniwetok Atoll, his fourteen champagne years in Paris, fame as a columnist syndicated in hundreds of newspapers, and his incarnation as hospice superstar.
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Arthur "Art" Buchwald (October 20, 1925 – January 17, 2007) was an American humorist best known for his long-running column in The Washington Post, which in turn was carried as a syndicated column in many other newspapers. His column focused on political satire and commentary. He received the Pulitzer Prize for Outstanding Commentary in 1982 and in 1986 was elected to the American Academy and Institute of Arts and Letters. Buchwald was also known for the Buchwald v. Paramount lawsuit, which he and partner Alain Bernheim filed against Paramount Pictures in 1988 in a controversy over the Eddie Murphy film Coming to America; Buchwald claimed Paramount had stolen his script treatment. He won, was awarded damages, and then accepted a settlement from Paramount. The case was the subject of a 1992 book, Fatal Subtraction: The Inside Story of Buchwald V. Paramount by Pierce O'Donnell and Dennis…
