About this item
Cap like you've never seen him before! First, it's Captain America's landmark 400th issue - and while Operation: Galactic Storm rages around him, Steve Rogers must face a gauntlet of his most formidable foes! But will the cosmic conflict's fallout sunder the Avengers? Then, prepare for one of the wildest stories the Sentinel of Liberty has ever seen, as Steve is transformed into a howling mad Cap-Wolf! Other werewolves including Man-Wolf, Werewolf by Night and the New Mutants' Wolfsbane join the fur-flying fun - as do Wolverine and Cable! But who will be the leader of the pack? Plus, when Diamondback is captured by Crossbones, it's Cap and Falcon to the rescue! But where's D-Man? And Steve Rogers joins Frank Castle in a brutal battle for blood and glory!COLLECTING: VOL.
About the Author
Gruenwald got his start in comics fandom, publishing his own fanzine, Omniverse, which explored the concept of continuity. Before being hired by Marvel, he wrote text articles for DC Comics official fanzine, The Amazing World of DC Comics. Articles by Gruenwald include "The Martian Chronicles" (a history of the Martian Manhunter) in issue #13 and several articles on the history of the Justice League in issue #14. In 1978 he was hired by Marvel Comics, where he remained for the rest of his career. Hired initially as an assistant editor in January 1978, Gruenwald was promoted to full editorship by Marvel editor-in-chief Jim Shooter in 1982, putting Gruenwald in charge of The Avengers, Captain America, Iron Man, Thor, Spider Woman, and What If. During this period, he shared an office with writer/editor Denny O'Neil, whom Gruenwald considered a mentor. In 1982, Gruenwald, Steven Grant, and Bill Mantlo co-wrote Marvel Super Hero Contest of Champions, the first limited seriespublished by Marvel Comics. As a writer, Gruenwald is best known for creating the Official Handbook of the Marvel Universe and his ten-year stint as the writer of Captain America during which he contributed several notable characters such as Crossbones, Diamondback and U.S. Agent. He made a deliberate effort to create villains who would be specific to Captain America, as opposed to generic foes who could as easily have been introduced in another comic. His 60-issue run on Quasar realized Gruenwald's ambition to write his own kind of superhero. However, he considered his magnum opus to be the mid-1980s 12-issue miniseries Squadron Supreme, which told the story of an alternate universe where a group of well-intended superheroes decide that they would be best suited to run the planet
