About this item

Hell hath no fury! Captain America faces a threat like never before when Superia raises an army of female super villains - from Anaconda to M.O.D.A.M.! The roguish gun-for-hire Paladin lends a hand to face these Femizons, but can these two mismatched adventurers thwart Superia's stratagem? Then, Cap has a showdown with his German counterpart, Hauptmann Deutschland. Both men are after the Red Skull -until they discover that he's been killed by Scourge! But nothing is ever as it seems with the Skull... Plus, Diamondback seeks a quiet life -as Cap's executive secretary?! Bernie Rosenthal returns! Cap takes on Crossbones, Viper, Taskmaster, Jack O'Lantern, Doughboy and more! And journey back to World War II for a fresh look at the origin and earliest adventures of Captain America and Bucky! COLLECTING: VOL. 17: CAPTAIN AMERICA (1968) 387-397, ADVENTURES OF CAPTAIN AMERICA 1-4



About the Author

Mark Gruenwald

Gruenwald got his start in comics fandom, publishing his own fanzine, Omniverse, which explored the concept of continuity. Before being hired by Marvel, he wrote text articles for DC Comics official fanzine, The Amazing World of DC Comics. Articles by Gruenwald include "The Martian Chronicles" (a history of the Martian Manhunter) in issue #13 and several articles on the history of the Justice League in issue #14. In 1978 he was hired by Marvel Comics, where he remained for the rest of his career. Hired initially as an assistant editor in January 1978, Gruenwald was promoted to full editorship by Marvel editor-in-chief Jim Shooter in 1982, putting Gruenwald in charge of The Avengers, Captain America, Iron Man, Thor, Spider Woman, and What If. During this period, he shared an office with writer/editor Denny O'Neil, whom Gruenwald considered a mentor. In 1982, Gruenwald, Steven Grant, and Bill Mantlo co-wrote Marvel Super Hero Contest of Champions, the first limited seriespublished by Marvel Comics. As a writer, Gruenwald is best known for creating the Official Handbook of the Marvel Universe and his ten-year stint as the writer of Captain America during which he contributed several notable characters such as Crossbones, Diamondback and U.S. Agent. He made a deliberate effort to create villains who would be specific to Captain America, as opposed to generic foes who could as easily have been introduced in another comic. His 60-issue run on Quasar realized Gruenwald's ambition to write his own kind of superhero. However, he considered his magnum opus to be the mid-1980s 12-issue miniseries Squadron Supreme, which told the story of an alternate universe where a group of well-intended superheroes decide that they would be best suited to run the planet



Read Next Recommendation

Report incorrect product information.