About this item
In this debut set in near future NYC--where lives last 300 years and the pursuit of immortality is all-consuming--Lea must choose between her estranged father and her chance to live forever. Lea Kirino is a "Lifer, " which means that a roll of the genetic dice has given her the potential to live forever--if she does everything right. And Lea is an overachiever. She's a successful trader on the New York exchange--where instead of stocks, human organs are now bought and sold--she has a beautiful apartment, and a fiance who rivals her in genetic perfection. And with the right balance of HealthTech(TM) , rigorous juicing, and low-impact exercise, she might never die. But Lea's perfect life is turned upside down when she spots her estranged father on a crowded sidewalk. His return marks the beginning of her downfall as she is drawn into his mysterious world of the Suicide Club, a network of powerful individuals and rebels who reject society's pursuit of immortality, and instead chose to live--and die--on their own terms. In this future world, death is not only taboo; it's also highly illegal. Soon Lea is forced to choose between a sanitized immortal existence and a short, bittersweet time with a man she has never really known, but who is the only family she has left in the world.
About the Author
Rachel Heng is the author of the novels (Riverhead, 2023) and (Henry Holt, 2018) , which has been translated into ten languages. Rachel's short fiction has been published in , longlisted for the Sunday Times Short Story Award, and recognized by anthologies including Best American Short Stories, The Pushcart Prize, Best Small Fictions and Best New Singaporean Short Stories. Her non-fiction has been listed among Best American Essays' Notable Essays and published in and elsewhere. She has received grants and fellowships from the National Endowment for the Arts, Vermont Studio Center, Sewanee Writers' Conference, Fine Arts Work Center and the National Arts Council of Singapore. Rachel received her MFA in Fiction and Playwriting from the Michener Center for Writers, UT Austin, and her BA in Comparative Literature & Society from Columbia University. She is currently an Assistant Professor in English at Wesleyan University.
