About this item
Audrey Niffenegger, the New York Times bestselling author of The Time Traveler’s Wife and Her Fearful Symmetry, has crafted her first graphic novel after the success of her two critically acclaimed “novels-in-pictures.” First serialized as a weekly column in the UK’s Guardian newspaper, The Night Bookmobile tells the story of a wistful woman who one night encounters a mysterious disappearing library on wheels that contains every book she has ever read. Seeing her history and most intimate self in this library, she embarks on a search for the bookmobile. But her search turns into an obsession, as she longs to be reunited with her own collection and memories. The Night Bookmobile is a haunting tale of both transcendence and the passion for books, and features the evocative full-color pen-and-ink work of one of the world’s most beloved storytellers.
About the Author
Audrey Niffenegger
Audrey Niffenegger (born June 13, 1963 in South Haven, Michigan) is a writer and artist. She is also a professor in the MFA Creative Writing Program at Columbia College Chicago. Niffenegger's debut novel, The Time Traveler's Wife (2003) , was a national bestseller. The Time Traveler's Wife is an unconventional love story that centers on a man with a strange genetic disorder that causes him to unpredictably time-travel and his wife, an artist, who has to cope with his constant absence. Her Fearful Symmetry (2009) , Niffenegger's second novel, is set in London's Highgate Cemetery where, during research for the book, Niffenegger acted as a tour guide. Niffenegger has also published graphic and illustrated novels including: The Adventuress (2006) , The Three Incestuous Sisters (2005) , The Night Bookmobile (2009) , and Raven Girl (2013) . Raven Girl was adapted into a ballet by Resident Choreographer Wayne McGregor and the Royal Opera House Ballet (London) in 2013. A mid-career retrospective entitled "Awake in the Dream World: The Art of Audrey Niffenegger," was presented by the National Museum of Women in the Arts (Washington D.C.) in 2013. An accompanying exhibition catalogue examines several themes in Niffenegger's visual art including her explorations of life, mortality, and magic.
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