About this item
A book about how Shakespeare became fascinated with the world, and how the world became fascinated with Shakespeare - the first book of its kindThere are 83 copies of the First Folio in a vault beneath Capitol Hill, the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high-school students reading The Merchant of Venice in Mandarin Chinese than in early-modern English. Why did this happen - and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global. Seizing inspiration from the playwright's own fascination with travel, foreignness and distant worlds, Dickson takes us on an extraordinary journey - from Hamlet performed by English actors tramping through Poland in the early 1600s to twenty-first-century Shanghai, where Shashibiya survived Mao's Cultural Revolution to become an honored Chinese author.En route we visit Nazi Germany, where Shakespeare became an unlikely favorite, and delve into the history of Bollywood, where Shakespearian stories helped give birth to Indian cinema. In Johannesburg, we discover how Shakespeare was enlisted into the fight to end apartheid. In California, we encounter him as the most popular playwright of the American frontier.Both a cultural history and a literary travelogue, the first of its kind, Worlds Elsewhere explores how Shakespeare became the world's writer, and how his works have changed beyond all recognition during the journey.
About the Author
Andrew Dickson is an author, journalist and critic. A former arts editor at the Guardian in London, he writes regularly for the paper and appears as a presenter for the BBC and elsewhere.
His new book, Worlds Elsewhere: Journeys Around Shakespeare's Globe, which tracks Shakespeare's global influence, was published in the UK by Bodley Head/Vintage in late 2015, and will be out in the US by Henry Holt in April 2016. Writing in the New Statesman, novelist Margaret Drabble called it "an extraordinarily exhilarating book, like no other Shakespeare criticism you have ever read", while in the Observer Anthony Holden described it as "strikingly original, engagingly idiosyncratic ... a substantial new contribution to Shakespeare scholarship".
Andrew grew up in Yorkshire, and studied English at Cambridge University, later returning to take an MPhil in Renaissance literature. He has contributed to the New Cambridge Companion to Shakespeare, is currently an honorary fellow at Birkbeck, University of London and a former visiting fellow at the University of Warwick.
He lives in London, and blogs about his journeys at worldselsewhere.com.
