About this item
Twenty years after her sharp, seminal first book Sex and the City reshaped the landscape of pop culture and dating with its fly on the wall look at the mating rituals of the Manhattan elite, the trailblazing Candace Bushnell delivers a new book on the wilds and lows of sex and dating after fifty. Set between the Upper East Side of Manhattan and a country enclave known as The Village, Is There Still Sex in the City? gathers Bushnell's signature short, sharp, satirical commentaries on the love and dating habits of middle aged men and women as they continue to navigate the ever-modernizing world of relationships. Throughout, Bushnell documents 21st century dating phenomenon, such as the "Unintended Cub Situation" in which a sensible older woman suddenly becomes the love interest of a much younger man, the "Mona Lisa" Treatment - a vaginal restorative surgery often recommended to middle aged women, and what it's really like to go on Tinder dates as a fifty something divorcee. Bushnell also updates one of her most celebrated stories from Sex and the City, "The Bicycle Boys," a breed of New York man who was always trying to bring his bike up to women's apartments. Once an anomaly, Bushnell charts their new ubiquitousness, in addition to where, and how to do your own man stalking via bicycle (and whether or not it's worth it) . In Is There Still Sex in The City? Bushnell looks at love and life from all angles - marriage and children, divorce and bereavement, as well as the very real pressures on women to maintain their youth and have it all. This is a pull-no-punches social commentary and an indispensable companion to one of the most revolutionary dating books of the twentieth century.
About the Author
Candace Bushnell is the critically acclaimed, international best-selling novelist whose first book, Sex and the City, published in 1996, was the basis for the HBO hit series. Bushnell captured the country's attention with Sex and the City by breaking down the bedroom doors of New York City's rich and beautiful to expose true contemporary stories of sex, love and relationships. The book introduced the nation to "modelizers," "toxic bachelors" and the women who are looking for Mr. Big as they glide in and out of a star-studded social scene. With Four Blondes (2000) , Bushnell gave readers another uncensored look into the mating rituals of the Manhattan elite. In each of this book's four linked novellas, Bushnell uses wry humor and frank portrayals of love and lust to deliver clever, hilarious and socially relevant portraits of women in New York City. Four Blondes was a critical and commercial hit. And the successes of Sex and the City and Four Blondes created high demand for a new genre of fiction; the chick-lit phenomenon had begun. Bushnell's third novel, Trading Up (2003) is a wickedly funny social satire about a lingerie model whose reach exceeds her grasp and whose new-found celebrity has gone to her head. The book takes place in the months leading up to 9/11, and portrays an era of wearily decadent society in New York. A sharply observant, keenly funny comedy of manners Trading Up is Bushnell at her most sassy and entertaining; this novel caused the The New York Times to call Bushnell "the philosopher queen of a social scene." A movie of Trading Up is currently in production at Lifetime Television. In Lipstick Jungle (2005) , her fourth novel, Bushnell explores assumptions about gender roles in family and career. The book follows three high-powered friends as they weather the ups and downs of lives lived at the top of their game. Salon called Bushnell's work "ahead of the curve" Once again, with Lipstick Jungle, Bushnell captured the paradigm of a new breed of career woman facing modern challenges and choices. Lipstick Jungle became the basis for the popular drama on NBC, currently in its second season, and starring Brooke Shields, Kim Raver, Lindsay Price and Andrew McCarthy. Bushnell serves as an executive producer on the show. Bushnell's new novel, One Fifth Avenue, is a modern-day story of old and new money, the always combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and that F. Scott Fitzgerald illuminated in his Jazz Age tales. Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: thirst for power, for social prominence, and for marriages that are successful-at least to the public eye. "Here are bloggers and bullies, misfits and misanthropes, dear hearts and black hearts, dogfights and catty squalls spun into a darkly humorous chick-lit saga," says Publisher's Weekl
