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Desperate to find a case to justify the team's existence, with budget cuts and a police strike on the horizon, Quill thinks he's struck gold when a cabinet minister is murdered by an assailant who wasn't seen getting in or out of his limo. A second murder, that of the Commissioner of the Metropolitan Police, presents a crime scene with a message...identical to that left by the original Jack the Ripper. The new Ripper seems to have changed the MO of the old completely: he's only killing rich white men. The inquiry into just what this supernatural menace is takes Quill and his team into the corridors of power at Whitehall, to meetings with MI5, or 'the funny people' as the Met call them, and into the London occult underworld. They go undercover to a pub with a regular evening that caters to that clientele, and to an auction of objects of power at the Tate Modern.



About the Author

Paul Cornell

Paul Cornell (born 18 July 1967) is a British writer best known for his work in television drama as well as Doctor Who fiction, and as the creator of one of the Doctor's spin-off companions, Bernice Summerfield. As well as Doctor Who, other television dramas for which he has written include Robin Hood, Primeval, Casualty, Holby City and Coronation Street. Cornell has also written for a number of British comics, as well as Marvel Comics and DC Comics in America, and has had two original novels published in addition to his Doctor Who fiction.



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