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FROM THE AUTHORS OF NYT BESTSELLER WHEN DARKNESS FALLS, NYT BESTSELLER THE PHOENIX TRANSFORMED, AND USA TODAY BESTSELLER TO LIGHT A CANDLEThey thought the war was over. They were wrong.Runacarendalur Caerthalien has been a master of battle for hundreds of years, but he found himself on the wrong side -- the losing side -- in the last war. Betrayed by his brother, trapped in a prophecy he does not understand, Runacar flees the battlefield.Yet Runacar is no coward. In a twist he could never have imagined, the Elven War-Prince finds himself leading a new army into battle -- a force of centaurs, merfolk, gryphons, minotaurs, and talking bears who can perform magic. For centuries they have been trying to reclaim their lands from Elven invaders. With Runacar at the helm, they just might manage it. Mercedes Lackey and James Mallory's first collaboration, the Obsidian Mountain trilogy, introduced readers to a brilliant, continent-spanning fantasy world of high adventure and epic battle. Civilization shimmered with magic while in the nooks and crannies of the world, dragons and unicorns hid from people who believed them to be nothing more than legends.The Dragon Prophecy, set thousands of years before that story, illuminates a time when long-lived Elves rule the Fortunate Lands. It is a time of dire prophecy, of battle and bloodshed, of great magics unlike any the Elvenkind have seen before. It is the story of the end of one world and the beginning of the next.The Obsidian Mountain Trilogy#1 The Outstretched Shadow#2 To Light a Candle#3 When Darkness FallsThe Dragon Prophecy Trilogy#1 Crown of Vengeance#2 Blade of Empire



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Mercedes Lackey

Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' -- they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good -- they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as



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