About this item

The ninth book in the fast-paced InCryptid urban fantasy series returns to the mishaps of the Price family, eccentric cryptozoologists who safeguard the world of magical creatures living in secret among humans.Sarah Zellaby has always been in an interesting position. Adopted into the Price family at a young age, she's never been able to escape the biological reality of her origins: she's a cuckoo, a telepathic ambush predator closer akin to a parasitic wasp than a human being. Friend, cousin, mathematician; it's never been enough to dispel the fear that one day, nature will win out over nurture, and everything will change.Maybe that time has finally come.After spending the last several years recuperating in Ohio with her adoptive parents, Sarah is ready to return to the world--and most importantly, to her cousin Artie, with whom she has been head-over-heels in love since childhood. But there are cuckoos everywhere, and when the question of her own survival is weighed against the survival of her family, Sarah's choices all add up to one inescapable conclusion.This is war. Cuckoo vs. Price, human vs. cryptid...and not all of them are going to walk away.



About the Author

Seanan McGuire

Seanan McGuire is a native Californian, which has resulted in her being exceedingly laid-back about venomous wildlife, and terrified of weather. When not writing urban fantasy (as herself) and science fiction thrillers (as Mira Grant) , she likes to watch way too many horror movies, wander around in swamps, record albums of original music, and harass her cats.Seanan is the author of the October Daye, InCryptid, and Indexing series of urban fantasies; the Newsflesh trilogy; the Parasitology duology; and the "Velveteen vs." superhero shorts. Her cats, Lilly, Alice, and Thomas, are plotting world domination even as we speak, but are easily distracted by feathers on sticks, so mankind is probably safe. For now.Seanan's favorite things include the X-Men, folklore, and the Black Death. No, seriously. She writes all biographies in the third person, because it's easier that way.



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