About this item
A passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. * From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble. "Thrillingly sharp, appropriately doubtful, and more fun than you would believe, given the pressing seriousness of the subject matter." - Nick Hornby, best-selling author of High Fidelity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?.
About the Author
Claire's first book, Poser: My Life in Twenty-Three Yoga Poses, will be published by Farrar, Straus and Giroux in January, 2011. It will be published simultaneously in the UK by Bloomsbury. Claire is a longtime contributor to The New York Times. Her articles have appeared in Vogue, Real Simple, The Nation, New York, Yoga Journal, on Slate and Salon, and in newspapers across the country. Her writing has encompassed criticism, reporting, and the personal essay. Dederer's essays have appeared in the anthologies Money Changes Everything (edited by Elissa Schappell and Jenny Offill) and Heavy Rotation (edited by Peter Terzian) .Before becoming a freelance journalist, Claire was the chief film critic at Seattle Weekly. With her husband Bruce Barcott, Claire has co-taught writing at the University of Washington. She currently works with private students. A proud fourth-generation Seattle native, Claire lives on Bainbridge Island in Puget Sound with her family.
