About this item

An artist lost to history, a family abandoned to its secrets, and the woman whose search for meaning unearths it all in a sweeping and expressive story from the New York Times bestselling author of Letters from Paris.Long, lonely years have passed for the crumbling Chteau Clement, nestled well beyond the rolling lavender fields and popular tourist attractions of Provence. Once a bustling and dignified ancestral estate, now all that remains is the chteau's gruff, elderly owner and the softly whispered secrets of generations buried and forgotten. But time has a way of exposing history's dark stains, and when American photographer Cady Drake finds herself drawn to the chteau and its antique carousel, she longs to explore the relic's shadowy origins beyond the small scope of her freelance assignment. As Cady digs deeper into the past, unearthing century-old photographs of the Clement carousel and its creators, she might be the one person who can bring the past to light and reunite a family torn apart.



About the Author

Juliet Blackwell

Juliet Blackwell (aka Julie Goodson-Lawes, aka Hailey Lind) started out life in Palo Alto, California, born of a Texan mother and a Yankee father. The family soon moved to what were, at the time, the sticks of Cupertino, an hour south of San Francisco. Walking to and from kindergarten every day she would indulge in her earliest larcenous activity: stealing walnuts and apricots from surrounding orchards. By the time she graduated middle school, the orchards were disappearing and the valley at the southern tip of the San Francisco Bay had become the cradle of the silicon semi-conductor. A man named Steve Jobs was working in his garage in Cupertino, just down the street. Juliet's father advised his daughters to enter the lucrative and soon-to-flourish field of computers. "Bah" said Juliet, as she went on to major in Latin American Studies at the University of California, Santa Cruz (they had, by far, the best parties of any department) . Rather than making scads of money in computers, she read, painted, learned Spanish and a little French and Vietnamese, lived in Spain and traveled through Europe, Mexico, and Central America. She had a very good time. Juliet pursued graduate degrees in Anthropology and Social Work at the State University of New York at Albany, where she published several non-fiction articles on immigration as well as one book-length translation. Fascinated with other cultural systems, she studied the religions, folklore and medical beliefs of peoples around the world, especially in Latin America. Juliet taught the anthropology of health and health care at SUNY-Albany, and worked as an elementary school social worker in upstate New York. She also did field projects in Mexico and Cuba, studied in Spain, Italy, and France, worked on a BBC production in the Philippines, taught English as a second language in San Jose, and learned how to faux finish walls in Princeton, New Jersey. After having a son, moving back to California, and abandoning her half-written dissertation in cultural anthropology, Juliet started painting murals and portraits for a living. She has run her own mural/faux finish design studio in Oakland, across the bay from San Francisco, for more than a decade. She specializes in the aesthetic renovation of historic homes. Finally, to round out her tour of lucrative careers, Juliet turned to writing. Under the pseudonym of Hailey Lind, Juliet penned the Art Lover's Mystery Series with her sister Carolyn, about an ex-art forger trying to go straight by working as a muralist and faux finisher in San Francisco. The first of these, Feint of Art, was nominated for an Agatha Award; Shooting Gallery and Brush with Death were both IMBA bestsellers, and Arsenic and Old Paint is now available from Perseverance Press.Juliet's Witchcraft Mystery series, about a witch who finally finds a place to fit in when she opens a vintage clothes shop on Haight Street in San Francisco, allows Juliet to indulge



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