About this item

What happens after she says "yes" Together in print for the first time, these four novellas - Take Me, Have Me, Play My Game, and Seduce Me - continue the story of billionaire Damien Stark and his fiance, Nikki Fairchild, from J. Kenner's Stark Trilogy: Release Me, Claim Me, and Complete Me. Following the happy couple from their steamy engagement into wedded bliss, this addictive collection is perfect for fans of Fifty Shades of Grey and Bared to You. I've long dreamed of my fairy-tale wedding, but it wasn't until I met Damien Stark - who captured me with his kisses and undid me with his touch - that I began to believe it was my destiny. Though we both carry secrets and scars, our shared passion heals us, binding us together. We have surrendered to each other completely, and our mutual ecstasy is the brightest light in my life.



About the Author

Julie Kenner

When Julie was knee-high to a grasshopper (an expression that she would like it known she has never, ever used in real life) she informed her parents that she was going to be a novelist, and proceeded to write Kitty Claws, a bestselling book about a cat as Santa. (The book sold out its entire print-run of one, so lets not split hairs about that "best-selling" thing, okay? )

After that stellar start, Julie continued to dabble in the literary arts, writing short stories on yellow pads that she forced her mother to type, scribbling poems on ruled notebook paper that she forced her mother to type, making up skits and songs that she forced her mother to watch and listen to, and diving head-first into high school journalism, at which point, mom finally got a break.

In college, she continued with the journalism thing, picking that as her major and working at The Daily Texan, the student newspaper for the University of Texas. The idea that she could actually write novels and, oh, buy food too, completely eluded her.

The journalism thing cranked along nicely for about one semester. Then Julie got a job as a production assistant on a movie originally called Splatter, but which was released as Future Kill (and can still be found in Blockbuster and through Netflix) , with really great Giger poster art. Julie worked her tail off, appeared as an extra, had a great time, and promptly switched her major to film.

Graduating at the ripe old age of 19, Julie chickened out and didn't move to Los Angeles to become the next Steven Spielberg. Instead, she stayed in Austin and worked as a media assistant until she decided that perhaps law school was the better way to go because, hey, a degree in film slides so seamlessly into law. (Or, more likely, grad school was inevitable and the LSAT seemed doable.) Not one to waste time, Julie took the LSAT in December, and was admitted to Baylor Law School on a full scholarship the following February. Law school and Julie got along great, and after graduation, Julie went to work as a law clerk on the Fifth Circuit Court of Appeals, where she had a fabulous time drafting legal opinions, preparing the judge for court, and taking regular trips to New Orleans on a government per diem. During her two year stint as a clerk, the writing bug bit again, and Julie wrote a stage play that will never, ever see the light of day. Really. So don't even ask.

After her clerkship, Julie decided she could handle moving to the Big City, and she took a job with Skadden, Arps in L.A., where she worked on a variety of cases with some very smart lawyers. After a year, she moved on to smaller and smaller firms (and had a short stint as a production exec at a small film company, thus justifying all those credit hours in college) . She continued to work with very smart lawyers, one of whom introduced Julie to Julie Garwood (her books, not the woman herself) , and the writing bu



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