About this item
In this thrilling new foxhunting mystery from New York Times bestselling author Rita Mae Brown, an investigation into a missing and valuable object flushes out murder, ghosts, and old family rivalries. Now "Sister" Jane Arnold and a pack of four-legged friends must catch the scent of a killer and unearth a long-buried truth. As the calendar turns, the crisp October winds bode well for this year's hunting season. But before the bugle sounds, Sister Jane takes a scenic drive up the Blue Ridge Mountains for a board meeting at the Museum of Hounds and Hunting. Brimming with colorful stories and mementos from hunts of yore, the mansion is plunged into mystery when a venerable hunting horn is stolen right out of its case. The only clue, on a left-behind cell phone, is what seems to be a "selfie" video of the horn's original owner, Wesley Carruthers - deceased since 1954. Odder still, Wesley's body was never found. When Sister makes a discovery that may explain his unsolved disappearance, it leads her back to the Jefferson Hunt at midcentury, with her faithful hounds at her side. But as the clues quickly mount, Sister is no longer sure if she's pursuing a priceless artifact, a thief, Wesley's killer . . . or a ghost. The only certainty is that someone wants to put Sister off the chase - perhaps permanently. Teeming with familiar and beloved characters, intrigue, and the rich local history of Virginia's horse country, Crazy Like a Fox races toward its stunning conclusion in full cry and packed with plenty of surprises. Once again, Rita Mae Brown dazzles and delights in her irresistible style, with a novel readers are certain to be crazy about. Praise for Rita Mae Brown Let Sleeping Dogs Lie "Cunning foxes, sensible hounds and sweet-tempered horses are among the sparkling conversationalists in this charming series." - The New York Times Book Review Fox Tracks "[Brown] enlivens a timely tale with . . . amusing accounts of her four-legged creations and delightful descriptions of the central Virginia countryside." - Richmond Times-Dispatch Hounded to Death "Fast-paced and filled with scenes from the world of fox hunting . . . Brown delivers the brush." - The Baltimore Sun The Tell-Tale Horse "Grabs readers from the opening scene and gallops through to the very surprising end." - Horse Illustrated The Hounds and the Fury "An intriguing story." - Associated Press
About the Author
Rita Mae Brown is a prolific American writer, most known for her mysteries and other novels () . She is also an Emmy-nominated screenwriter. Brown was born illegitimate in Hanover, Pennsylvania. She was raised by her biological mother's female cousin and the cousin's husband in York, Pennsylvania and later in Ft. Lauderdale, Florida. Starting in the fall of 1962, Brown attended the University of Florida at Gainesville on a scholarship. In the spring of 1964, the administrators of the racially segregated university expelled her for participating in the civil rights movement. She subsequently enrolled at Broward Community College[3] with the hope of transferring eventually to a more tolerant four-year institution. Between fall 1964 and 1969, she lived in New York City, sometimes homeless, while attending New York University[6] where she received a degree in Classics and English. Later,[when? ] she received another degree in cinematography from the New York School of Visual Arts. [citation needed] Brown received a Ph. D. in literature from Union Institute & University in 1976 and holds a doctorate in political science from the Institute for Policy Studies in Washington, D.C.Starting in 1973, Brown lived in the Hollywood Hills in Los Angeles. In 1977, she bought a farm in Charlottesville, Virginia where she still lives. [9] In 1982, a screenplay Brown wrote while living in Los Angeles, Sleepless Nights, was retitled The Slumber Party Massacre and given a limited release theatrically. During Brown's spring 1964 semester at the University of Florida at Gainesville, she became active in the American Civil Rights Movement. Later in the 1960s, she participated in the anti-war movement, the feminist movement and the Gay Liberation movement. Brown took an administrative position with the fledgling National Organization for Women, but resigned in January 1970 over Betty Friedan's anti-gay remarks and NOW's attempts to distance itself from lesbian organizations. She claims she played a leading role in the "Lavender Menace" zap of the Second Congress to Unite Women on May 1, 1970, which protested Friedan's remarks and the exclusion of lesbians from the women's movement.In the early 1970s, she became a founding member of The Furies Collective, a lesbian feminist newspaper collective in Washington, DC, which held that heterosexuality was the root of all oppression.Brown told Time magazine in 2008, "I don't believe in straight or gay. I really don't. I think we're all degrees of bisexual. There may be a few people on the extreme if it's a bell curve who really truly are gay or really truly are straight. Because nobody had ever said these things and used their real name, I suddenly became [in the late 1970s] the only lesbian in America."
