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This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll—from the Beatles to Black Sabbath—and shows how the marriage between mysticism and music changed our world.From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today’s hip-hop scene, the occult has long breathed life into rock and hip-hop—and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll. With vivid storytelling and laser-sharp analysis, writer and critic Peter Bebergal illuminates this web of influences to produce the definitive work on how the occult shaped—and saved—popular music.



About the Author

Peter Bebergal

Peter Bebergal is the author of Season of the Witch: How the Occult Saved Rock and Roll, Too Much to Dream: A Psychedelic American Boyhood and The Faith between Us: A Jew and a Catholic Search for the Meaning of God (with Scott Korb) , and the forthcoming Strange Frequencies. He writes widely on music and books, with special emphasis on the speculative and slightly fringe. His recent essays and reviews have appeared in The New Yorker online, Slate, The Times Literary Supplement, The Quietus, BoingBoing, and The Believer. Bebergal studied religion and culture at Harvard Divinity School, and lives in Cambridge, Massachusetts.



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